(hooves clopping, carriage trundling) ♪ (preacher eaking german) (indistinct conversations) (stoltzfus) jacob was a good farmer. none better. (beiler) but not the man to buy a horse for you. hochleitner, wasn't it your father sold him the horse with a ruptured testicle? (tom, chuckling) he told him it was a bee sting made him limp that way. (daniel) that horse had one good one. that's all it takes. (all chuckling) (men saking german) (male speaker) daniel. (indistinct conversation) (daniel) rachel... i'm sorry about jacob. i know he'll walk with god. (rachel) thank you, daniel. (whispered remarks) (enchanted music) ♪ (engine revs, horse nickers) ♪ (hum of traffic) ♪ (daniel) bitte. ♪ (eli) daniel. (daniel) guten morgen, gutemorgen. so, first time to the big city. you'll see so many things. close your eyes. ♪ en. (samuel) danke! (train whistle blows) ♪ (rachel) samuel, careful! ♪ you'll come back soo ♪ (rachel) samuel! ♪ samuel. here. ♪ (eli) and you be carefulout amon. ♪ (grand music) ♪ mama, look! ♪ (giggling) ♪ (public address announcer) ...atlantic city express bus to atlantic city... (female speaker) oh, he's a cute little amish boy. isn't he cute? i think so. (rachel) we have tickets to baltimore. where is that ain, please? (ticket agent) it's layed three hours. you'll hear an announcement when it's time to board. just take a seat right over there. sut i-- -just taket, i have to wait on these people. yes, sir. -there. -yes, sir. (samuel) mama, look. what's that thing? (public address announcer) now boarding, stairway three, track four... (rachel) don't go far, samuel. (echoed conversations, announcements) m (soft, fantasticalusic) ♪ -mama? -hmm? (samuel speaks german) (rachel) it's over there. samuel...thy hut. ma (rachel speaking g (water splashing) (mcfee) hey, man! (victim) hey! hey! (urgent music) (sounds of struggle) ♪ dartner) what areoung, man? washing my hands, man. (partner)what? come on, let's get out of here! ♪ hold tight. uhh... ♪ (partner) i already did that. ♪ ck(mcfee) just chein' again. ♪ (shuffling footsteps) (police radio chatter) se (book) move the people back. they shouldn't be this close, get them out of here. get schaeffer on the phone, he -get him down re now. -right. (book) richard, who found the body? (richard) right over there, sir. (book) how you doing, pop, you found the body? , (male spear) daddy, i just reported it. -it was the kid. -what kid? (male speaker) hoatthe hell i know id it was? it was the kid in the funny black threads over there. (book) thanks, pop. how's he doin'? i'm a police officer, ma'am. i have to talko the boy. what's your name? (rachel) samuel. samuel lapp. ook) and he's your son? (rachel) we were on our way tbaltimore. my sister is expecting us. soon our train is leaving. then we'll get you on another train. sam, the man who was killed tonight was a policeman. it's my job to find out what happened. i want you to tell me everything you saw when you went in the bathroom. um... there were two. does anybody know about this? no. nobody's had a chance to talk to him. (book) what did he look like? the man that you saw. he was...like him. .l (book) he was a black man? he had black skin? ja. but not schtumpig. (book) schtumscg? what's umpig? (rachel) on a farm, when a pig is born small like that, it's schtumpig. a runt. so...so he wasn't a runt. he was a... he was a big guy like me? uy big guy! (police radio) subject is armed, wanted for the stabbing death of a narcotics officer. (carter) i shoulda been there, john... (indistinct remarks) (book) that's not the pot,.. that's the ri (indistinct nversation) (rachel) where are you taking us? (book) oh, i'm sorry. we're looking for a suspect. f we got reason to believe he's still in the neighborhood, e and i want the littly to take a look at him. u (rachel) ve no right to keep us here. uh, yes, i do. your son's a material witness to a homicide. (rachel) nd you don't understa. we've got nothing to do with your laws. (book)se doesn't surprie. a lot of people i meet are like that. (carter chuckles) (conversing in german) (book) what did he say? (rachel) he asked who you are. your name. i told him we didn't need to know anything about you. book. john book. (b speaker) hey, man, where you hiding? don't you hear me? ay (new wave music in bar) ♪ (laughter, chatter) ♪ (carter) have a seat, youngblood, what are you doing? ♪ loin' good, t-bone. ook) hey, man, how you doin'? (t-bone) what the-- ♪ ♪ -hey, man! -let's get his arm. -hey! -is this t man, sam? th is this him? you sure? (angry chatter in background) -back off. -you listen to me. i want no further part of this, nor does my son. okay, okay. geback in the car.r. ng (indistinct heated exc hey, honest mistake, all right? (laughter) (t-bone) go on. hn (carter) what are we gonna do with them? (book) what? (carter) well, a hotel or what? k) (b we put 'em in a hotel, they're not gonna be there in the morning. you'll have to send somebody to baltimore for them. (book)r) i got itwhat? this is my sister, elaine. this is mrs. lapp and samuel. -hi. -where do you want 'em, elaine? the back bedroom, the blue room? oh, yeah, sure, the blue rm. can i help you with something? (rachel) uh, no, no. (book) right back there, sam. (elaine) how could you do this to me tonight? ' (book) it's important. (elaine) just keep going straight through. there'r a folding cot foyour son. oh, he turne.on the light, go i told you i had company! -where's jason and billy? -upstairs asleep. (book) you got a man in the house and the kids a upstairs? (elaine) that's none of your business. you should keep your holier-than-thou mouth shut. anyway, they like fred. fred? now we got a fred. (elaine) nywho are these orphans, ay? (book) they're amish. (door closes) (elaine) everything okay? (rachel) yes, thank you. john says you're amish. (rachel) ye oh. (samuel) do we have to stay here? (rachel)no, we don't. just for the night. say your prayers. -hey, captain. -hiya, bob. (r hel) en can we leave the city? (book) trying to get this over with quick as i can. then you can go. (rachel)good. (book) but samuel's probably gonna have to come back and testify. -i'm sorry. -no you're not, you're glad. -b -glad? ause now you have a witness. (book) yeah, now i got a witness. t achel) i just don'ke my son spending all his time with a man who carries a gun and goes around whacking people. (book) whacking? whacking? come here, kiddo. (book grunts) big guy. now, don't be frightened. em you can see but they can't see you. (detective) i want the hat and the sunglasses off. straighten up. (boo i want you to tell me if any of these men are the man that you saw in the bathroom. take your time. look real carefull make sure. are you sure? okay. (knocks) three dogs to stay. -thank y -thank you. (cash register rings) (traffic noise, hum of conversation) (rachel) ja. these we call (inaudible). (book) great. great. your, um, your sister said you don't have a family. no, i don't. hmm. she thinks that you ought to get married and have children of your own ea inof trying to be a father to hers. oh, yeah? u' except she thinks're afraid of the responsibility. that's interesting. anything else? mm-hmm, ye. um... she said that she thinks that you like policing because you think you're right about everything tand that you' only one who can do anything about it. and that, um, when you drink a lot of beer, you say things like, "none of the other police know a crook from a, um, bag of elbows." i believe that's what she said. (belches) a goetite. (chatter, typewriter clacking in background) (me speaker) captai -captain. -yeah. (male speaker) sergeant carter for you on line 23. (book) thanks. hey. how are you do'? -i don't know. -little boy. look. he's shy. (male speaker) psst! hey! (rattling handcuff) -hey. -huh? (male speaker) hey, knock it off! of ominous music) ♪ (doorbell rings) i'll get it! (doorbell rings) oh, hi. (book) kathy. hello, marilyn. (marilyn) hi, john. it's mcfee, paul. he's one of 'em, anyway. positive i.d. from the amish kid. mcfee? lieutenant in narcotics? (book) right. (schaeffer) i hope you don't have any doubt about that. it all fits, paul. four years ago, narcotics runs a raid in which, amongst other things, 550 gallons of this p-2-p stuff isonfiscated. they put it in police storage. philadelphia supplies all the major cities they need this p-2-p stuff tothake the speed.speed. pi they pay up to $5,000 for it. i called police store. no record of 10 55-gallon drums of p-2-p. that's $22 million, pl. and guess who ran the raid four years ago? -mcfee. -right. have you talked to him about it? no. a. no--vacation, flor all right, what do you need to clean this up? people--people from outside the department. put some guys on this mcfee. watch him, wait him out. right, fbi and maybe somebody from treasury. i'll take care of that. i want m security on this. where's the boy? -my sister's house. -he's gonna have to be moved. who else knows about this? just you and i. (schaeffer) t's leave it that (tires squealing) (elevator bell dings) (car door closes) (footsteps) ot (g) (gunfire) al e speaker) twyla, get back here! ckt back! police! in the elevator! (twyla) that's our car! (book) get in the elevator! you idiot! i know you! (tires squealing) (tense music) (elaine) it's john. ay he s you have to leave now. -what? -he says it's urgent. i don't know. get dressed quickly. john. john? (book) put my car ie the garage and close or. john, i don't understand any of this. (book) u don't know anything, okay? ed i borrour car. all right? i didn't say why. r you neard of the woman and her boy. john, please tell me why. ♪ just do it. (rulhel) you said we be safe in philadelphia. (book) well, i was wrong. ♪ ♪ (telephone ringing) ♪ did you deliver the kid's interview to schaeffer? no. (book) i want all the paperwork on this job disappeared. t, tonigh you understand? john, you know what you're telling me to do? just do it, man. i'm gonna disappear for a couple days. john, what's goin' on, man? what is happening? i'll call you when i can. and partner, watch your back. schaeffer's in this thing, too. ♪ -what are you doing? -working late, man. (detective) what's going on? ♪ (banging at lock) ♪ (fergie) that's it. (soft music) ♪ (clatterin ♪ hey, fergie. told you i hit him. (schaeffer) he's in trouble. i want to help him, i want you to lp him. we just need to know where he is. what kind of trouble? (schaefferrt that's a dental matter, you don't have to worry about it. if we can just talk to him, we can straighten it out. -a departmental matter? -right. you're saying he'nginvolved in sometllegal? (schaeffer) i'm afraid so. (she chuckles) jo anybody who know knows that's a damn lie. (schaeffer) of course it is, elaine. but s long as there'y doubt, it's better that john should come in and clear his name. ho it's better youd get off my porch. i don't want to have to take you in foquestioning. he left with the amish woman, right? ♪ (mcfee) she say where he is? i don't think she knows. what about carter? (mcfee) but i'm workin' on him. ♪ (chickens clucking) en (eli) samuel! (samuel) gro-pa! (indistinct conversation) you should rest. i'll make us some coffee. (book) no, i can't stay. will you be coming back to take samuel to trial? ♪ there isn't gonna be any trial. ? (eli) rach (eli speaking german) rachel, what happened? rachel, who was that man? ♪ (horn blaring) ♪ (crash) ♪ (eli speaks german) (samuel) mama! mama! (samuel speaks german) ♪ re -mama, 's blood. -oh, john! eli! (rachel speaks gman) my god, why didn't you get to a hospital? (book) no, no doctor. gunshot wound, they havto make a report. and if they make a report, they'll find me. and if they find me, they find the boy. (hoovelaclopping, carriattering) (urging horse) whoa... whoa! is the english dead? -no. -looks dead. (eli speaks german) sp (rachel k german) (eli speaks german) (straining) -(speaking german) -he's upstairs. (conversing in german) (book groans) i feel...burning. the bullet entered there... an came out there. ioere's danger of infe ' he's lost a great deal of blood. i'm not a doctor. that should be treated in a hospital. there's nothing i can do for him. no! t no. he musstay here. e. (eli speaks german) (eli) what if he dies? ll then the sheriff ome here. they'll say we broke their laws. (rachel) well, then we must pray that he doesn't die. but if he does, then we must find a way so no one kno. but rachel, this is a man's life. we hold it in our hands. i know that. god help me, i know that, eli. but i'll tell you, if he is found, the people who did this to him will come get samuel. w (stoltzfus) t'll make a poultice. three parts milk, two parts linseed oil for the infection. i will send mary by with some teas i will brew myself. (rachel) thank you. (stoltzfus) lapp... i'll have to speak with the elders on this matter. (eli) as you see fit. (horse neighs) (farm animals grunting) close! (eli speaks german) (soft music) ♪ (rachel) shh. (book breathes heavily, stammers) ♪ (book) don't do it. i'll kill you. ♪ yore' 'as an s. ♪ he's no longer... ♪ (rachel) john? ♪ john? ♪ (lored breathing) ♪ (straeffer) are you ng to tell me that there's no way we can locate this woman? al we'reng aut 20th century law enforcement, sergeant. your amishman doesn't live in the 20th century,em, chief. doesn't think in the0th century. chief, if the amish have taken your man in, i wouldn't wanna hangrom a rope until you find him. look, the problem is, about every third amishman around here is named lapp. we've got ushards of 14,000 an around here. that's just lancaster county. -yeah. -now, over in... that's very interesting, sergeant. i but thismas a very importaner. it involves the murder of a police officer. now, there must be a directory of some sort of these people somewhere. sure. tax roles, voter registration. tell you right now, i don't have the manpower to send a deputy to every c lapp farm in lancastnty to see if they've got your rachel. e, maergeant, you could do a little telephoning. yeah. maybe i uld. but since the amish don't have any telephones, i wouldn't kn who to call. thank you, sergeant. it's been an education. (whispering) (male voice) shh, shh, shh, shh! who e they? (rachel) the leadership of our district. they decided to come see you for themselves. except stoltzfus. he came the first day. i think he saved your life. (book)ltzfus) who else kn'm here?i. i (rachel) no one. i ook) how long haven here? (rachel) two days. (stoltzfus) rest, mr. book. that's the ticket. and drink my tea, lots of myea. (book) tellim his tea stinks. (rhel) you can tell him when you're able. we're all very happy that you're going to live, john book. we didn't know what we were gonna do with you peaking german)ied. er (e) listen. it's not our place to ask how he came to us. (thunder rumbles, rain patters) (conversing in german) (book) don't move! what are you doin'? come here. come here, samuel. sit down. this is a loaded gun. this is very, very dangerous. never, ever touch a loaded gun. now i'm taking the bullets out. now it's safe. okay? ay ok, mr. book. ca look, you ca me john. i just don't want you to get hurt. i don't mean to yell at you, i just don't want you to get hurt. look, it's all right for you to look at it now. it's unloaded, itsafe. if you want to handle it, you can handle it while i'm here. but that...gh that's not ri (rachel) samuel... wait for me downstairs. john book, while you are in this house, i sist that you respect our ways. right. ta here it. put it somewhere where it's safe, on where h't find it. (eli) this gun of the hand is for the taking ofuman life. we beliee it is wrong to tfe. that is only for god many tim wars have come, and people have said to us, "you must fight. you must kill. it is the only way to presd but samuel, therayis never only one er remember that. would you kill another man? (samuel) i would only kill a bad man. (eli) only the bad man, i see. and you know these bad men by sight? you are able to look into their hearts ne and see this b? (samdol) i can see what the i haveseen it. (eli) and having seen, you become one of them. don't you understand? what you take into your hands, you take into your heart. "wherefore, come out from among them and be ye separate," saith the lord. "and touch not the unclean thing." go and finish your chores now.go (samuel) yes, grossvater. (rachel) enjoying your reading? (book) oh, yeah. learning a lot about manure. very interesting. what's that? (rachel) your clothes are stained with blood. i have them soaking. you can wear these. they your husband's? yes. it's good that someone can have the use of them. besides, in your clothes, you'd stand out to strangers. oh, i should tell you that this kind of coat doesn't have buttons. see? hks and eyes. something wrong with buttons? ar button hochmut. proud. vain. it's not plain. got anything against zippers? you making fun of me? like the tourists... staring all the time. sometimes they come into the yard. ry it's ude. they seem to think we're quaint. i can't imagine why they think that. look, is there a phone somewhere near? the gunthers across the valley. they're mennonites. they have cars and refrigerators. no, i meanne pay phone, public p (rachel) the store at stroudsburg. but you won't be going to stroudsburg for a while. (book) i'm going this morning. -but stoltzfus said you can't-- -i know what he said. you can go with eli. he's taki samuel to school. -but you'd better hurry. -rachel. nothing. (eli) whoa. gh (lg) what? (rachel continues laughing) (eli) hurry up, john book! you better get going. (samuel) hurry up, john book! (book) my gun. i need my gun. thanks the bullets? it's not much good without 'em. (rachel) of course. (blows) yo (book) than uh, how do i look? i mean, do i look... amish? you looklain. okay. ng (hooves clopn pavement) t (indistinversation) (horse whinnies) (eli) der mann? er ist ein englischmn. das ist nicht seine kleidung. ist der kleidung vor jacob. (all) ohh. (eli) seine kleidung war geschmutd. (telephoneings) carter here. (book) hey, partner, how you doing? -you okay? -yeah. y? (book) listen, man. i'm coming in to take care of business. how hot am i? too hot. don't do it. don't come in. they're looking for you. (book) and the kid. man, i gotta make a move. listen, john, don't do it. co yodn't get within a mile of schaeffer right now. you hear me? k) (b ah...yeah. uh...what are we gonna do? fbi? maybe. (carter) what about one of those reporters? the investigative reporter no, it's too risky, they'd want to talk to the kid. listen, i'll make a couple of calls, let you know when maybe you can come i i gotta go. take care of yourself, carter. yeah, you too. (typewriter clacking) (phone clicks into receiver) (book whistling) (book) here. don't put 'em in the peaches. (samuel) see this stream? it goes to the wheel es and it mhe wheel turn around. and then it goes-- it akes this wire pump the pump over there, ov into the well, and the well's water goes into the house. ooyeah? (samuel) this place really echoes. hello! (kitten mewing) -what's up there? -corn. would you like to hold myitten? i'll show you how to do a back rub on them. you hold them like that, you push their head back, and you start rubbing their neck er (engine turning (eli) book? is that you, book? what are you doing there? oh, uh...oing) just trying to get the car started. the battery. if you're well enough to do that...ery. you can work for me. (book) yeah. what can i do? -milking, maybe. -milking? (eli) cows, you know. cows. (book) yeah, i've seen pictures. (eli) good. you start tomorrow. (cows mooing) (speaking in german) it's 4:30, time for milking. (cows mooing) milking stool, milking hat. there's the milk. firm grip. pinch the p off and squeeze. (book) didn'ti am squeezing.queeze. you never had your hands on a teat before. (boonot one this big. (mooing continues) (eli laughs) liui (lpatters on metal) oh hey, i goit! i got it! i think. (cow moos) -c'mon, hup! -gently! gently! (bell rings) samuel, help him. (speaking german) -no, no, no. no, please. -eat, book. eat. what's the matter with your appetite? (boo i'm not used to eating in the middle of the night. (eli) u're not used to hard work. that makes appetite. rachel. samuel. (book) "honey, that's great coffee." it's a... 's a joke. it's a commercial. on television. (utensils scraping) (crow cawing) (birdsong) -book, is it? -yeah. (daniel) you're the yankee they talabout. i thought i was the english. english, yankee, it's the same. my name is daniel. -daniel hochleitner. -how do you do? you look plain, book. very plain. i c(birdsong) rachel. (scraping) um... eli said i could use his tools and... try to fix that bird house. i brought you some lemonade. oh, great. than. what happeneto hochleier?. he went home. ho (loud scraping) he's a friend of the family. he's like a son to eli. d (louscraping) you know carpentry. , yebit. ye can you do anything else? whacking. i'm hell at whacking. m.acking is not much use on a f tomorrow i'll let out those trousers for you. good. (insects chirring) (rachel) i told eli that you're a carpenter. (book) hold this up closer, will you? he said you could come to zook's barn-raising. well...if i'm still here. (radio personality) weenie roasts? i don't know anything about weeniroasts. -that's a west coast thing. -great. (radio personality) let's have some letters on weenie roasts. why not? (engine turns over) presentingolden oldies. we've got some great ones and some old ones coming right up. here's one that tak me back. i'm afraid to say, it dates me. maybe it dates you. ("wonderful world" pys) (book) oh, oh. this is great. this is the best. -♪ don't know much... ♪ -♪ biology (m'e singer) ♪ 't know much about science books ♪ ♪on't know much about the french i took ♪ (male singer) ♪ but i do know at i love you ♪ ♪ and i know that ♪ if you love me too ♪ what a wonderful world this would be ♪ ♪ ♪ don't knowuch about geography ♪ ♪ don't know much trigonometry ♪ ♪ don't know much about algebra ♪ t ♪ don'ow what a slide rule is for ♪ ♪ but i do know one and one is two ♪ -♪ and if this one... -♪ could be with you -♪ what a wonderful world... -♪ this would be (she giggles and shrie) (male singer) ♪ ...to be an a student -come on. -what are you doing? (male benger) ♪ for my being an a student, baby ♪ ♪ i can win your love for me d ♪'t know much about history ♪ -♪ don't know much... ♪ -♪ biology -♪ don't know much about... ♪ -♪ science books ♪ -♪ don't know much... ♪ -♪ bio(exclaiming) (laughing) -♪ but i do know... -♪ that i love you ♪ and i know that if you love me too ♪ ♪ what a wonderful world this would be ♪ wo (singer vocalizing) (backu♪singers) ♪ history ♪ biology (singer vocalizing) ackup singers) ♪ science book -♪ french i took -♪ french i took (male singer) ♪ but i do know that i love you ♪ he iggles) (eli) rachel! (male singer) ♪ ...love me too, what a wderful world this would be ♪ rachel! (speaking in german) die musik? (radio chatter) (eli) die musik? rachel? peaking in german) (radio chatter continues) (radio turns off) rachel. rachel, what is it with you? is te ordnung? i have done nothing against the rule of the ordnung. nothing? an you bring thiso our house, with his gun of the hand. you bring fear to this house. fear of english with guns coming after. (rachel) i've committed no sin. (eli) maybe. maybe not yet. but rachel, it does not look... you know there has been talk. talk about going to the bishop and having you snned. ed -that is idle talk. -oh, do not take it lightly. rachel! they can do it. they can do it just like that. you know what it means, shunning? oucannot sit at table with i cannot take a thing from your hand. i cannot go to worship with you. oh child, do not go so far. (rachel) i'm noa child. -but you are acting like one. -i'll be the judge of that. no. they will be the judge of that, d so will i, if you shame me. you shame yourself. (crickets chirring) (schaeffer) why don't you tell me where he is? you know, don't you? i just want to talk to him. i want to talk some sense into him. you know, we go way back. i john aere a team once. li you two are now. i trained him. he is a fine policeman. i know he's with the amish god, i'd give anything to see him now. can you see john at a prayer meeting? (we're like the amish. we're a cult too. well...a club. with our own rules. john has broken those rules. as you're breaking them now. (hooves clopping) (dramac music) ♪ hattering in german) ♪ (wagon driver) whoa! (chatter) ♪ (daniel) i hear you're a carpenter. (book) uh, well, it's been a while. (daniel) no matter. we can always use a good one. hurry up now! we have a barn to raise, d a day to do it! ♪ (female speaker) rachel, kommst du her! (rachel) good luck. ♪ (daniel) your hole is better now? (book) yeal, it's pretty much ed. (daniel) good. then you can go home. (music lightens) ♪ (men conveing in german) ♪ (book) yes, sir. ♪ (speaking in german) ♪n (directinggerman) ♪ (chatter)irping) (chatter continues) (hmering, chatter) (children laughing, yelling) (chatter) (mrs. yoder) everyone has an idea about you and the englishman, book. (rachel) all of them charitable, i'm sure. yo (mrsr) hardly any of them. (chatter) (insects chirring) (speaking in german) (rachel) john. amos. (speaking in german) (rachel) is is lydia and amos. -john book. -hello. (rachel) it's their barn you built today. (book) oh. -we juea got married. -y that--that's great. (men singing in german) (thunder rumbling) (water dripping) (thunder rumbling) (rain pelting) (birdsong) (book) rachel? (c mooing) (chickens clucking) rachel. if we'd made love last night, i'd have to stay. or you'd have to leave. (tour guide) jump off the bus, everybody. mi welcome to ash country. s this is the most f amish grocery store in the area. now, stay close together, 'cause we're only gonna be here -another 15 minutes.-no p. (tour ide) now, be careful with photographing the amish. they don't like it but you can sneak one now and then. all right? stay together. (female ngurist) woo-hoo? yan! hello. we're just here for the day. would you mind if i took your picture? now just stand still, please. fix your hat a little bit. lady, you take my picture with that thing a i'm gonnrip your brassiere off and strangle you with it. you got that? (female tourist) willy, did you hear what that amish just said to me? (telephone ringing) -who's calling? -a friend.rter. (telephone rings) (male speaker) yeah, salan r, public relations. help you? uh, yeah, i'm trying to reach sergeant elton carter. (salazar) are you a member of the family? what? no, i'm a friend. (salazarnf then i regret tom you sergeant carter is dead. -what? -he died last nigh killed in the line of duty. should(dramatic music)er-- ♪ (telephone ringing) ♪ heo? o? yes. paul! ♪ paul, it's john book. (schaeffer) i'll take it in the study. ♪ uh... um how are you, john? ♪ hello, john. ♪ calling me at home. can't trace the call that's smart, john. very smart. ea lost theng, didn't you, paul? -what? sn't that what you used to say about dirty cops? somewhere along the way they lost the meaning. don't make it difficult, john. w we kere you are. we're about-- no, no, you got it wrong, man. i'm cogong to get you. i like your style, john. i've always liked your style. i'm gonna do to you whatever you did to zenovich and whatever you did to carter. i'm gonna do that to you too. t ♪ (indistinct commts) ♪ (heckler) c'mon, you're ocking the road! -i can't back ts up. -yeah, yeah. -just give it a shot. -look, look. (heckler) no, look, look, you look. (daniel) it takes half hour to turn back. ba (slap, horse whinnies) (laughter, chatter) (eli) it happens sometimesdo not. (heckler) i asked you to me this buggy. -come on! -come on, goldilocks. (speaking in german) (heckler) hey, don't you speak english? (heckler) you don't hear very good, do you? (laughter) (heckler) on the chin! on the chin! the chin, yeah! (heckler) you look betr, buddy. (speaking in german) -come on down, jack. a-hey, they're nowed to fight, man. -yeah that's right, no fighting. they won't fight for their country, either. -it's not our way. -but it's my way. (eli) book, no! book! -how's it look? -give it to me.! (heckler) oh, hey, hey. check this out. here comes another one. look at this. whoa. whoa. ' it'all right, book. (heckler) hey, watch it, frank, he's gonna hit you with his bible. (laughing) (frank) aw. (book) you' making a mistake. -hey, hey, hey. -ooo. (laughter) boo. (grunting, groaning) (commotion) (eli) book! (commotion) (female speaker) somebody give me a handkerchief, he's bleeding! (ominous music) (frank) you didn't have to break my nose! er (overlapping chatt) ♪ ♪ (passerby) never seen anythg like it in all my years. (daniel) he's from ohio. my cousin. (passerby) well then, them ohio amish muste different. round here, the brethren don't have anything like that kind of fight in them. good day to you, mr. lapp. this ain't good for the tourist trade, ya know? tell that your ohio frids! one of the kids broke his nose. he was with old eli lapp. know? where did you get that? book gave it to me. he said it was a special present. (toy clicking) sa el, time for bed. samuel. you can take the toy with you. he's leaving, isn't he? tomorrow morning. he'll need his city clothes. why? what's he going back to? nothing. he's going back to his world, where he belongs. he knows it. and you know it too. (solemn muc) ♪ (music intensifies ♪ (dark music) ♪ (bullets clattering) (ominous music) ♪ (grunt, crash, scream) (schaeffer) it's all right, .we're police office uscheck the rest of the ho shh-shh-shh. it's all right, we're police officers. philadelphia police. it's all right, mrs. lapp. why don't you sit wn? it's going to be all right. g we're notoing to harm your boy. it's book we want. now where is he? ♪ in (c whimpering) ♪ bo (clattering) ♪ rgie, come on! come o come on! come on, damnit! (door clatters) ) hey. ♪ (samuel) what is it? what are they doing? ♪ (book) listen, samuel. i want you to go to hochleitner's farm as fast as you can. and stay there, do you understand me? -are they gonna kill you? -i'll be all right. (samuel) but you don't have your gun. (book) run, samuel. run! ru ♪ (engine turns over) ♪ (dog barking) (cow mooing) ♪ (engine turns over) come on! come on! ♪ come on! come on. come on. come on. ♪ (gunshot) -samuel! samuel, he's out there! -no, no, rachel' (gunshot) ♪ (gunshot) ♪ (cows mooing) ♪ (book) yah! yah! ♪ (banging) ♪ (cows mooing) ♪ us intensifies) ♪ (music softens) ♪ g) (thunderous patterin (yelling) (thunderous ruling) (yelling, coughing) (yelling) (gagging, choking) (rumbling continues) fergie! (pattering continues) fergie! ws (pattering sstops) (thumping) (gunshot) (schaeffer) mcfee! ot) (cows mooing) mcfee! fergie! (forebodg music) ♪ -what's wrong? -i can't figure it out. (mcfee) i don't know. you better come on up. ♪ (sot clattering) (eli whispers) -(rachel exclaims) -no! shh. ♪ come on. we're going outsime. come on. ♪ (eli) go. ♪ (schaeffer) come on! ♪ (dramatic music) ♪ schaeffer! ♪ (book) come on. ♪ (gunshot) ♪ (gunshot)) (bell ringing) ♪ (schaeffer) stop the boy ringing that bell. i want you to stop the boy ringing that bell. i want you to st him now! get outta here now! ♪ -let her go, paul! -put the gun down, book! (overlapping yelling) -let her go! -i could blow her head off. let her go. let her go, s ul, the gun'wn! gun's down. gun's down! it's wn, it's down. don't hurt her. ♪ (music lightens) ♪ (speaking in german) ♪ (book) it's all right, rachel. just move. go on. rachel, just move. go! (chatt) (eli) rachel! rachel. ♪ (schaeffer) it's all right, i'm a police officer. man's wanted for murr. -no. -now stand back. (book) what are you gonna do, paul? you gonna kill me? are you gonna shoot me? are you gonna shoot him? -stand back! -are you gonna shoot him? is that what you're gonna do, paul? him? the woman? me? (birds chirping) it's over! engh! enough! enough. er (whi chatter) (radio chatter (birds chirping) (samuel) gogoodbye, samuel.. ♪ (tender music) you be careful out among them english. ♪ (music intensifies) ♪ (engine starts) ♪ steves: until modern times, rome's river was part of iteconomy. then, in the 1870s, in order to protect the rom flooding, the romans walled off the tiber. than built these tall, ymous embankments that continue to isolate the river from the city to this day. while rome was born on the tiber, today the town seems to ignore its river, but the graceful bridges connect thriving neighborhoods. just over the tiber from here is one of rome's most colorful districts. trastevere is the place to immerse yourself in the crustier side of rome. the name "trastevere" actually means "across the tiber river." wandering here offers a chance to hone your senses, to see rome more intimately. you'll discover a world of artisans who've found their niche and love it. the people here, "trasteverini," are proud. old-timers once bragged of never setting foot on the opposite side of the riv. as we explore and observe, the big city seems worlds away. for maximum trghtevere fun and in i'm joined by my friend and roman tour guide, francesca caruso. especially here in trastevere, you get this sense of the many layers of rome. caruso: certainly. that is really the key to understanding rome. this city has hmost 3,000 years tory. it was never abandoned, so people have just built on top and around of what was already there. steves: like a layer cake, isn't it? boy, there's a beautiful roof garden. caruso: yeah. most of us in rome live in apartments, so no garden, no backyard, so we all dream of the attico con terrazzo. : attico con terrazzo, an attic with a terrace.ra caruso: yes, so the ulyline of rome isof these little jungles on the rooftops. steves: everything is so intimate. it's like we're walking through somebody's laundry room. caruso: well, we've always lived very close together here sharing space is really not a problem. we don't even have the word for "pvacy" in italian. we use the english word instead. we simply roll the "r," so we say privacy. i know one more italian word now. caruso: [ laughs ] [ people conversing in italian ] steves: so, why are so many of the oldest churches in rome on this side of the river? asruso: because trastevere the neighborhood of foreigners, often christian, who brought their faith with them, for the whole period of the persecutions, they could not build churches, so mass woulombe celebrated in the of wealthy converts who offered their homes for mass. stevesthen, this is one of those kind of churches? caruso: yes, it was the house of cecilia, and in later times they built a church dedicated to her. steves: and e day, the name of urch? caruso: is santa cecilia. steves: now, what happened to saint cecilia? caruso: saint cecilia and her husband were killed because of their faith. the romans tried to steam her to death for three days in her own home, and after that, th beheaded her. steves: this is a beautiful statue. caruso: yes, it's very quiet. there's something very tender about it and also very sad, about a young woman who was killed so brutally for her faith. steves: the concept of a piazza serving as a community center nt goes back to ancimes. piazza santa maria in trastevere is the of this neighborhood. with its broad and inviting steps, thtain was actually designed to be a kind of neighborhood sofa. great part of exploring a neighborhood is just sitting in the main square. caruso: i think it's really in our dna. we've been living in our piazzas as common living rooms and let's hope it will always be this way in the future, too. steves: and, as usual, urthe district's main fronts the main square. the church of santa maria in trastevere is also one of rome's oldest and most beloved churches. like cecilia's church, it's built on the site of where early christians worshipped illegally. and, like the city itself, it's been a work in ogress, rebuilt continuously over the centuries. the portico is decorated with ancient fragments filled with early christian symbolism -- the anchor, birds, people with hands up, prayiag as evangelical chri do today. many of these stones were originally lids to buriaes from the catacombs. stepping inside takes you back centuries. wee granite columns scavenged from ancient roman buildings. e church feels like ancient hall of justice. that's because early churches adopted the pre-chriian basilica floor plan -- a rectangular space divided by rows of columns. these mosaics are early medieval well over 1,000 years old. they're rich in symbolism. mary is given high stature. she's at the throne with jesus in heav. he has his arm around his mother as if introducing her to us. locals claim this is the first church dedicated to the virgin mary. i neecr leave without ng in with st. anthony, who hangs out in the back. he's a favorite of the poor and is inundated with prayer requests on scraps of paper. (birds chirping)

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