(hiaves clopping, ca trundling) ♪ (preacher eaking german) (indistinct convertions) (stoltzfus) jacob was a good farmer. none better. (beiler) but not the man to buy a horse for you. hochleitner, wasn't it your father sold him the horse with a ruptured testicle? (tom, chuckling) he told him it was a bee sting made him limp that way. (daniel) that horse had one good one. that's all it takes. (all chuckling) (men speaking german) (male speaker) daniel. (indistinct conversation) (daniel) rachel... i'm sorry about jacob. i know he'll walk with god. (rachel) thank you, daniel. (whispered rarks) (enchanted music) ♪ (engine revs, horse nicks) ♪ (hum of traffic) ♪ (daniel) bitte. ♪ (eli) daniel. (daniel) guten morg, guten morgen. so, first time to the big city. you'll see so many things. close your eyes. ♪ (samuel) danke! (train whistle blows ♪ (rachel) samuelcareful! ♪ you'll come back soon? ♪ (rachel) samuel! ♪ samuel. here. ♪ d (eli) anu be careful out among the english. ♪ (grand music) ♪ mama, look! ♪ (giggling) ♪ (public address announcer) ...atlantic city express bus to atlantic city... (female speaker) oh, he's a cute little amish boy. isn't he cute? i think so. (rachel) we have tickets to baltimore. where is that train, please? (ticket agent) it's delayed three hours. you'll hear an announcement when it's time to board. just take a seat right over there. -but i-- -just take a seat, i have to wait sion these people. yes -there. -yes, sir. (samuemama, look. what's that thing? (public address announcer) now boarding, esairway tee, track four... (rachel) don't go far, samuel. (echoed conversations, announcements) (soft, fantastical music) ♪ -mama? -hmm? (samuel speaks german) (rachel) it's over the. samuel...thy hut. ac l speaking german) (water splashing) (mcfee) he man! (victim) hey! hey! (urgent music) (sous of struggle) ♪ (partnerwhat areou doing, m? washing my hands, man. (partner) what? come on, let's get out of here! ho tight. ♪ uhh... ♪ (partner) i already did that. ♪ ) (mcfee just checkin' again. ♪ (police radio chatter) oo k) move these people back. they shouldn't be this close, get them out of here. get schaeffer on the phone -get him down here now. -right. (brichard, who found the body? (richard) right over there, r. op,book) how you doing, you found the body? (male spear) not me, daddy, i just reported it. -it was the kid. -what kid? (male speaker) how the hell i know what kid it was? it was the kid in the funny black threads over there. (book) thanks, pop. s how'he doin'? i'm a police officer, ma'am. i have to talk to the boy. what's ur name? (rachel) samuel. samuel lapp. (book) and he's your son? (rachel) wee.ere on our way to baltim my sister is expecting us. soon our train is leaving. then we'll get you on another train. sam, the man who was killed tonight was a policeman. in's my job toout what happened. i want you to tell me everything you saw when you went in theathroom. um... there were two. -two men? -inly saw one. does anybody know about this? no. nobody's had a chance to talk to him. (book) what did he look like? the man that you saw he was...like him. (book) he was a black man? k)he had black skin? ja but not schtumpig. (bk) schtumpig? at's schtumpig? (rachel) on a farm, when a pig is born small like that, it's schtumpig. a runt. so...so he wasn't a runt. was a... li was a big guy, me? big guy! (police radio) subject is armed, wanted for the stabbing death of a narcotics officer. (carter) i shoulda been there, john... (indistinct remarks) (book) that'ats not the pot, 's the risk... (indistinct nversation) (rachel) where are you taking us? (book) oh, i'm sorry. we're looking for a suspect. we got reason to believe he's still in the neighborhood, ooi annt the little boy to take a look at him. (r hel) you have no right to keep us here. uh, yes, i do. your son's a material witness to a homicide. do (rachel) you't understand. we've got nothing to do with your laws. thes (book) d't surprise me. a lot of people i meet are like that. (carter chuckles) (conversing in german) (book) what did he say? (rachel) he asked who you are your name. i told him we didn't need to know anhing about you. book john book. (boy speaker) hey, man, where you hiding? don't you hear me? wave music plays in bar) ♪ (laughter, chatter) ♪ (carter) have a seat, youngblood, what are you doing ♪ ♪ lookin' good, t-bone. (book) hey, man, how you doin'? (t-bone) what the-- ♪ -hey, man! -let's get his arm. -hey!sa -is this the man, m? m? is this hi you sure? (angry chatter in background) -back off. -you listen to me. i want no further part of this, nor does my son. okay, okay. get backn the car. back in the car. ti (indt heated exchange) hey, honest mistake, all right? (laughter) (t-bone) go on. (carter) jo, what are we gonna do with them? (book) what? (carter) well, a hotel or what? (book) we put 'em in a hotel, they're not gonna be there in the morning. you'll have to send somebody to baltimore for them. (carter) well, what? (boo i got it. this is my sister, elaine. this is mrs. lapp and samuel. -hi. -where do you want 'em, elaine? the back bedroom, the blue room? oh, yeah, sure, the blue room. can i help you with sometng? (rachel) uh, no, no. (book) right back there, sam. (elaine) how could you do this to me tonight? ook) it's important. (elaine) just keep going straight through. the's a folding cot for your son. oh, he turned on the light, good. i told you i d company! -where's jason and billy? -upstairs asleep. (book) you got a man in the house s?and the kids are upsta th (elaine) that's none of your business. you should keep your holier-than-thou mouth shut. anyway, they like fred. fred? now we got a fred. e (elaine) who arthese orphans, anyway? (book) they're amish. (door closes) (elaine) everything okay? (rachel) yes, thank you. john says you're ash. (rachel) yes. oh. t (samuel) do we hastay here? (rachel) no, we don't. st or the night. say your prayers. -hey, captain. -hiya, bob. (rachel) whenan we leave the city? (book) trying to get this over with quick as i can. then you can go. (rachel) good. (book) but samuel's probably gonna have to come back and testify. -i'm sorry. -no you're not, you're glad. -glad? -because now you have a witness. (book) yeah, now i got a witness. (rachel)just don't like my n spending all his time with a man who carries a gun and goes around whacking people. (book) whacking? ? whacki come here, kiddo. (book grunts) big guy. now, don't be frightened. you can see them, but they can't see you. (detective) want the hats and the sunglasses off. straighten up. ou (boo i wanto tell me if any of these men are the man that you saw in the bathroom. take your time. look real carefully. make sure. are you sure? okay. s) (kno three dogs to stay. -thank y. -thank you. (cash register rings) (traffic noise, hum of conversation) (rachel) ja. these we call (inaudible). (book) great. great. your, um, your sister said you don't have a family. no, i don't. hmm. she thinks that yoought to get married and have children of your own instead of trying to be a father to hers. oh, yece? she thinks you're afraid of the responsibility. that's interesting. anything else? mm-hmm, yeah. um... she said that she thinks that you like policing because you th ak you're rigut everything nly onehat you're the who can do anything about it. and that, um, when you drink a lot of beer, you say things like, "none of the other police know a crook froa, um, bag of elbows." i believe that's what she said. elches) good appetite. (chatter, typewriter clacking in background) (male speaker) captain? -captain -yeah. (male speaker) sergeant carter for you on line 23. (book) thanks. hey. how are you doin' w -i don't know. -little boy. look. he's shy. (male speaker) psst! hey! (rattling handcuff) huh? -hey. -huh (male speaker) hey, knock ioff! (soft, ominous music) ♪ (doorbell rings) i'll get it! (doorbell rings) oh, hi. -hi, kathy. -dad? (book) hello, marilyn. (marilyn) hi, john. he's one of 'em, anyway. positive i.d. from the amish kid. mcfee? lieutenant in narcotics? (book) right. y (schaeffer) i ho don't have any doubt about that. it all fits, paul. four years ago, narcotics runs a raid in which, amongst other things, 550 gallons of this edp-2-p stuff is confiscat. they put it in police storage. s philadelphia suppl all the major citiesup in the country with speed. they need this p-2-p stuff to make the speed. ay theyp to $5,000 a pint for it. no record of 10 55-gallon drums of p-2-p.. that's $22 million, paul. and guess who ran the raid four years ago? -mcfee. -right. have you talked to him about it? no.-- cation, florida. all right, what do you need to clean this up? people--people from outside the department. put some gs on this mcfee. watch him, wait him out. right, fbi and maybe somebody from treasury. i'll take care of that. i want maximum security on this. bo where's th -my sister's house. -he's gonna have to be moved. who else knows just you and i. (schaeffer) let's leave it that y. le (tires squealing) (elevator bell dings) (car door closes) (footsteps) (gunshot) (gunfire) (male speaker) twyla, get back here! po get back! ce! back in the elevator! (twyla) that'our car! (book) get in the elevator! you idiot! i know you! (tires squealing) (tense music) (elaine) it's hn. he says you have to leave now. -i don't know. -get dressed quickly. john. john? (book) put my car in the garage and close the door. john, i don't understand any of this. (book) u don't know anything, okay? i borrowed your car. all right? i didn't say why. you never heard of the woman and her boy. john, please tell me why. ♪ just do it. (rachel) you said we would be safe in philadelphia. (book) well, i was wrong. ♪ (telephone ringing) ♪ did you deliver the kid's interview to schaeffer? no. (book) i want all the paperwork on this job disappeared. tonight, you understand? hn you know what u're telling me to do? just do it, man. i'm gonna disappear for a couple days. john, what's goin' on, man? what ihappening? i'll call you when i can. and partner, watch your back. schaeffer's in this thing, too. ♪ -what are you doing? -working late, man. (detective) what's going on? ♪ (banging at lock) ♪ (fergie) that's it. (soft music) ♪ (clattering) ♪ hey, fergie. told you i hit him. i (schaeffer) he's in trouble. i want to help him, i want you to help him we just need to know where he is. what kind of trouble? th (schaeffer) 's a departmental matter, you don't have to worry about it. if we can just talk to him, we can straighten it out. departmental matter? -right. you're saying he's involved in something illegal? afchaeffer) i'id so. (she chuckles) anybody who knows john knows that's a damn lie. (schaeffer) of course it is, elaine. but as long there's any dou, it's better that john should come in and clear his name. ' its better you suld get off my porch. i don't want to have to take you in for questioning. he left with the amish woman, right? ♪ (mcfee) she say where he is? i don't think she knows. what about carter? (mcfee) tight. n but i'm workin'm. ♪ (chickens clucking) li (e samuel! (samuel) gro-pa! (indistinct conversation) you should rest. es i'll make us some coffee. (book) no, i can't stay. will you be coming back to take samuel to trial? there isn't gonna be any trial. ♪ (eli) rachel? (eli speing german) rachel, what happened? rachel, who was that man? ♪ (horn blaring) ♪ (crash) ♪ (eli speaks german) (samuel) mama! mama! (samuel speaks german) ♪ -mama, there's blood. -oh, john! oo eli! (rachel speaks german) my god, why didn't you get to a hpital? gunshot wound, they have to make a report. and if they make a report, they'll find me. and if they find me, they find the boy. , (hooves cloppi carriage clattering) (urging horse) whoa... oa! is the engli dead? -no. -looks dead. (eli speaks german) (rachel speak german) (eli speaks german) (straining) -(speaking german) -he's upstairs. (conversing in german) (book groans) i feel...burning. the bullet entered there... and came out there. s there'nger of infection. he's lost a great deal of blood. i'm not a doctor. that should be treated in a hospital. there's nothing i can do for him. no! no. he must stay here. (eli speaks german) (eli) what if he dies? then the sheriff will come here. they'll say we broke their laws. (rachel) well, then we must pray that he don't die. but if he does, then we must find a way so no one knows. but rachel, this is a man's life. we hold it in our hands. i know that. god help me, i ow that, eli. but i'll tell you, if he is found, the people who did this to him will come get samuel. (stoltzfus) then we'll make a poustice. three parts milk, two parts linseed oil for the infection. i will send mary by with some teas i will brew myself. (rachel) thank you. toltzfus) lapp.. i'll have to speak with the elders on this matter. li) a(horse neighs) (farm animals grunting) close! (eli speaks german) (soft music) ♪ (rachel) shh. (book breathes heavily, stammers) ♪ (book) don't do i i'll kill you. you're an ass. ♪ he's no longer... ♪ (rachel) john? ♪ john? ♪ (lored breathing) ♪ (schaeffer) are you trying to tell me that there's no way can locate this woman? we're talking aut 20th century law enforcement, sergeant. (serge pt) there's yoblem, chief. your amishman doesn't live in the 20th century, doesn't thurk in the 20th ce chief, if the amish have taken your man in, i wouldn'pet wanna hang from a until you find him. look, the problem is, about every therd amishman aroundis named lapp. we've got upwards of 14,000 amishmen around here. that's just lancaster county. -yeah. -now, over in... th 's very interesting, sergeant. but this is a very important matter. it involves the murder of a police officer. now, there must be a directory of some sort of theseeople somewhere. sure. tax roles, voter registration. n tell you rig, i don't have the manpower to end a deputy to every tell you rig, ilapp farm in lancaster county to see if they've got your rachel. maybe, sergeant, you could do a little telephoning. yeah. maybe i could. but since the amish don't have any telephones, cawouldn't know who t. thank you, sergeant. it's been an education. (whispering) (male voice) shh, shh, shh, shh! who e they? (rachel) the leadership of our district. they decided to come see you for themselves. except stoltzfus. he came the first day. in i he saved your life. (stoltzfus) no. that was not i. (book) who else knows i'm here? ac l) no one. (book) how long have i been here? (rachel) two days. (stoltzfus) rest, mr. book. that's the ticket. and drink my tea, (book) tell him his tea stinks. (rachel) you can tell him en you're able. wh we're all very happy that you're going to live, john book. we didn't know what we were gonna do with you if yo'd died. peaking german) (elder) listen. it's not our place to ask how he came to us. (thunder rumbles, rain patters) (conversing in german) (book) don't move! what are you do'? come here. come here, samuel. sit down. this is a loaded gun. this is very, very dangerous. never, ever touch a loaded gun. now i'm taking the bullets out. now it's safe. okay? okay, mr. book. look, you can call me john. i just don't want you to get hurt. i don't mean to yell at you, i just don't want you to get hurt. l look, it's ght for you to look at it now. to it's unloaded, it's safe. if you want to handle it, you can handle it while i'm here. atbut that... t's not right. (rachel) samuel... wait for me downstairs. john book, while you are in this house, i insist that you respect our ways. right. here. take it. put it somewhere where it's safe, where he won't find it. th(eli) this gun ohand is for the taking of human life. ro we believe it is to take life. th is only for god. ve many times wars ome, sa and people hav to us, "you must fight. u must kill. it is the only way to preserve the good." but samuel, there is nevonly one w remember that. would you kill another man? (samuel) i would only kill a bad man. (eli) only the bad man, i see. and you know these bad men by sight? you are able to look into their hearts d see this badness? ca (samuel) see what they do. i haveseen it. (eli) and having seen, you become one of them. don't you understand? what y take in your hand you take into your heart. "wherefore, come out from among them and be ye separate," saith the lord. "and touch not the unclean thing." go and finish your chores now. (samuel) yes, grossvater. (rachel) enjoying your reading? (book) oh, yeah learning a lot about manure. . very interesti what's that? (rachel) your clothes are stained with blood. i have them soaking. you can wear these. they your husband's? yes. it's good that some oe can have the uthem. besides, in your clothes, you'd stand out to strangers. ohthi should tell you this kind of coat doesn't have buttons. ye see? hooks and something wrong with buttons? wi buttons are hochmut. proud. vain. it's not plain. got anything against zippers? you making fun of me? no. ke he tourists... sometimes they come sinto the yard. time. it's very rude. they seem to think we're qint. i can't imagine why they think that. look, is there a phone sowhere near? the gunthers across the valley. they're mennonites. they have cars and refrigerators. ne no, i mean a pay p public phone. (rachel) the store at stroudsburg. but you won't be going to stroudsburg for a while. (book) i'm going this morning. -but stoltzfus said you can't-- -i know what he said. (book) i'you can go with eli.. to he's taking samuechool. -but you'd better hurry. -rachel. nothing. (eli) whoa. (laughing) what? (rachel continues laughing) (elihurry up, john book! you better get going (samuel) hurry up, john book! (book) my gun. i need my gun. thanks. the bullets? it's not much good without 'em. (rachel) of course. (blows) (book) thank you. uh, how do i look? i mean,amish?look... you look plain. okay. (hooves clopping on pavement) (indistinct conversation) (horse whinnies) (eli) der mann? das ist nicht erstseine kleidung.nn. ist der kleidung vor jacob. (all) h. (eli) seine kleidung war geschmutzed. (telepcarter here. (book) hey, partner, how you doing? -you okay? -yeah. you? st (book) li, man. i'm coming in to take care of business. how hot am i? too hot. don't do it. don't come in. they're looking for you. (book) anthe kid. man, i gotta make a move. listen, john, don't do it. you couldn't get within a mil of schaeffer right now. you hear me? (book) ah...yeah. uh...what are we gonna do? fbi? maybe. (carter) wh about one those reporters? those investigative reporters? no, it's too risky, o they'd want to talke kid. listen, i'll make a couple of calls, let you know when maybe you can come in. i gotta go. take care of yourself, carter. yeah, you too. (typewriter clacking) (phone clicks into receiver) wh (bootling) (book) he. don't put 'em in the aches. (samuel) see this stream? it goes to the wheel and it makes the wheel turn around. and then it goes-- it makes this wire pump the pump over there, into t well, and the well' water goes. (book) yeah? ce(samuel) this peally echoes. hello! (kitten mewing) -what's up there? -corn. i'll show you how to do a back rub on them. you hold them like that, you push their head back, and you start rubbing their neck. (engine turning over) (eli) book? is that you, book? what are you doing there? (cow mooing) oh, uh... just trying to get the car started. the battery. if you're well enough to do that... you can do work for me. (book) yeah. what can i do? -milking, maybe. -milking? (eli) cows, you know. cows. (book) yeah, i've seen pictures. (eli) good. you start tomorrow. (cows oing) (speaking in german) it's 4:30, time for milking. (cows mooing) milking stool, milking hat. there's the milk. firm grip. pinch the p off and squeeze. didn't you hear me? squeeze. (book) i am squeezing. you never had your hands on a teat before. (book) not one this big. (mooing continues) (eli laughs) (liquid patters on metal) it oh hey, i go i got it! i think. (cow moos) tly!on, hup! -gently! g (bell rings) samuel, help him. (speaking in german) -no, no, no. no, please. -eatbook. eat. what's the matter with your appetite? (booo i'm not usedting in the middle of the night. (eli) you're not used to hard work. that makes appetite. rachel. samuel. (book) "honey, th's great coffee." it's a... it's a joke. it's a commercial. on television. (uteils scraping) (crow cawing) (birdsg) -book, is it? -yeah. (daniel) you're the yankee they talabout. i thought i was the english. english, yankee, it's the same. my name is daniel. -daniel hochleitner. -how do you do? you look plain, book. very plain. i came tsee rachel. (birdsong) (scraping) um... eli said i could use his tools and... try to fix that birdouse. i brought you some lemade. oh, great. what hpeneto hochleitner?. he went me. (loud scraping) he's a friend of the family. he's like a son to eli. (loud scraping) you know carpentry. yeah, a bit. can you do anything else? whacking. i'm hell at whacking. whacking is not much use on a farm. tomorrow i'll let out those trousers for you. good. (insects chirring) (rachel) i told eli that you're a carpenter. (book) l hold this up closer, wu? he said you could come to zook's barn-raising. well...if i'm still here. (radio personality) weenie roasts? i don't know anhing about weenie roasts -that's a west coast thing. -great. (radio personality) let's have some letters on weeniroasts. why not? (engine turns over presenting golden oldies. we've got some great ones and some old ones coming right up. here''s onthat takes me ba i'm afraid to say, it dates me. maybe it dates you. (" nderful world" plays) (book) maybe oh, oh.s you. this is great. this is theest. (male singer) -♪ don't know much... ♪ -about science books ♪ ♪ don't know much about the french i took ♪ (male singer) ♪ but i do know that i love you ♪ ♪ound i know that ifove me too ♪ ♪ what a wonderful world this would be ♪ ♪ ♪ don't know much about geography ♪ ♪ don't know much trigonometry ♪ ♪ don't know much about algebra ♪ ♪ don't know what a slide rule is for ♪ ♪ ut i do know one and one is two ♪ - ♪ and if this one... -♪ cou -♪ what a wonderful world... -♪ this would be (she giggles and shrieks) (male singer) ♪ ...to be an a student -come on. -what are you doing? (male singer)♪ for maybe g an a student, baby ♪ ♪ i can win your love for me ♪ don't kn much about history ♪ kn -♪ don't much... ♪ -♪ biology -♪ don't know much about... ♪ -♪ science books (exclaiming) (laughing) -♪ but i do know... -♪ that i love you ♪ and i know that if you love me too ♪ ♪ what a wonderful world this would be ♪ (singer vocalizing) (backup singer♪ history ♪ biology (singer vocalizing) (backup singers) ♪ science boo (male singer) ♪ but i do knowk that i love you ♪ (she giggles) (eli) rachel! (male singer) ♪ ...love me too, what a wonderful world this would be ♪ rachel! (speaking in german) dimusik?el! (radio chatter) (eli) die musik? inrachel? (speakinerman) (radio chatter continues) (radio turns off) rachel. rachel, what is it with you? is this the ordnung? i have done nothing against the rule of the ordnung. nothing? u bring this man to our house, with his gun of the hand. you bring fear to this house. ar of english with guns coming after. (rachel) i've committed no sin. (eli) maybe. maybe not yet. but rachel, it does not look... you know there has been talk. t-that is idle talk.the bishop a-oh, do not taket lightly. rachel! they can do it. they can do it just like that. you knowhat it means, shunning? i cannot sit at table with you. i cannot take a thing from your hand. i cannot go to worship with you. oh child, do not go so far. (racl) i'm not a chil -but you are acting like one. -i'll be the judge of that. no. they will be the judge of that, med so will i, if you sham you shame yourself. (crickets chirring) (schaefferwhy don't you tee where he is? you know, n't you? i st want to talk to him. i want to talk some sense you know, we go way back. john and i were a team once. a like you t now. i trained him. ne he is a oliceman. i know he's with the amish. god, i'd give anything to see him now. can you see john at a prayer meeting? ch ffer laughs) th we're likamish. we're a cult to well...a club. with our own rules. john has broken those rules. as you're breaking them now. (hooves clopping) (dramatic music) ♪ (chattering in german) ♪ (wagon driver) whoa! (chatter) ♪ (daniel) i hear you're a carpenter. (book) uh, well, it's been a while. (daniel) lwno matter. we cans use a good one. hurry up now! we have a barn to raise, and a day to do it! ♪ (female speaker) rachel, kommst du her! (rachel) good luck. ♪ (daniel) your he is better now? s (book) yeah, it'pretty much healed. (daniel) good. then you can go home. (music lightens) ♪ (men conveing in german) ♪ (book) yes, sir. ♪ ♪ (speaking in german) ♪ (directing in german) ♪ ds (bhirping) (chatter) (chatter continues) ch (hammeringter) (children laughing, yelling) (chatter) (mrs. yoder) everyone has an idea about you and the englishman, book. (rachel) all of them charitable, i'm sure. (mrs. yoder) hardly any of them. (chatter) (insects chirring) (speaking in german) (rachel) john. amos. (speaking in german) (rachel) this is lydia and amos. -john book. -hello. (rachel) it's their barn you built today. (book) oh. ed -we just got m. -yeah? that--that's great. (men singing in german) (thunder rumbling) (water dripping) (thunder rumbling) (rain pelting) (birdsong) (book) rachel? (cow mooing) (chickens clucking) rachel. if e'd made love last night, i'd have to stay. or you'd have to leave. tour guide) jump o bus, everybody. welcome to amish country. s ththe most famous amish grocery store in the area. now, stay close together, 'cause we're only gonna here th -anoer 15 minutes. -no pictures. ca(tour ide) now, be ful with photographing the amish. t they don't like it u can sneak one now and then. ge all right? stay er. (female tourist) woo-hoo? young man! t hello. we're jushere for the day. would you mind? if i took your picture now just stand still, please. fix your hat a little t. lady, you take my picture with that thing i'm gonna rip your brassiere off and strangle you with it. you got that? (female tourist) willy, did you hear what that amish just said to me? (telephone ringing) -homicide. -elton carter. -who's calling? -a friend. (telephone rings) (male speac r) yeah, salazar, publations. can i help you? uh, yeah, i'm trying to reach sergeant elton carter. (salazar) are you a member of the fami? what? no, i'm a friend. th (salazar) i regret to inform you sergeant carter is dead. e -what? ed last night, l killed in the line of duty. re should you requrther-- (dramatic music) ♪ (telephone ringing) ♪ hyes.? paul ♪ paul, it's john book. (schaeffer) i'll take it in the study. ♪ uh... um. how are you, john? ♪ hello, john. ♪ calling me at home. i can't trace the call. th 's smart, john. very smart. lost the meaning, didn't you, paul? -what? -isn't that what you used to say about dirty cops? somewhere along the way they lt the meaning. don't make it difficult, john. we know where you are. we're about-- no, no, you got it wrong, man. i'm coming to get you. i like your style, jlin. i've alwayd your style. i'm gonna do to you whatever you did to zenovich and whatever you did to carter. i'm gonna do that to you too. ♪ (horn blaring) or (indistinct comments) ♪ (heckler) c'mon, you're blocking the road! -i can't ba y ts up. -yeah,h. -just give it a shot. -look, look. (heckler) no, look, look, you look. (daniel) it takes half hour to turn back. (sla horse whinnies) (laughter, chatter) (eli) it happens sometimes. do nothing. (heckler) i asked you to move this buggy. -come on! -come on, goldilocks. (speaking in german) (heckler) hey, don't you speak english? (heckler) you n't hear very good,do you? (laughter) (heckler) on t(heckler)on the chin! the you look better, buddy. dy (speaking in german) -com, on down, jack. -hey're not allowed to fight, man. -are you a man or what? -yeah that's right, no fighting. they won't fight for their country, either. -it's not our way. -but it's my way. (eli) book, no! book! -how's it look? -ilooks great! give it to me. (heckler) oh, hey, hey. check this out. here comes another one. look at this. whoa. whoa it's all right, book. (heckler) hey, watch it, frank, he's gonna hit you with his bible. (laughing) (frank) aw. a ook) you're makinstake. -hey, hey, hey. -ooo. (laughte o. (grunting, groaning) (commotion) (eli) bo! (commotion) (female speaker) somebody give me a handkerchief, he's bleeding! (omino music) (frank) you didn't have to break my nose! ve (orlapping chatter) ♪ se(passerby) never en anythg like it in all my years. (daniel) he's from ohio. my coin. (passerby) well then, them ohio amish must be different. round here, the brethren don't have anything like that kind of fight in them. good day to you, mr. lapp. this ain't good for the tourist tre, ya know? io tell that to your ohriends! one of t kids broke his nose. was with . where did you get that? book gave it to me. he said it was a special present. (toy clicking) samuel, time for bed. samuel. you can take the toy with you. he's leaving, isn't he? tomorrow morning. he'll need his city clothes. he's going back to his world, where he belon. he knows it. and you know it too. (solemn music) ♪ (music intensifies) ♪ (dark music) ♪ (bullets clattering) (ominous music) ♪ (grunt, crash, scream) (schaeffer) it' pall right, we'olice officers. check the rest of the house. it's all right, we're police officers. philadelphia police. it's all right, mrs. lapp. why do 't you sit down? itit's going to be all right. we're not going to harm your boy. it's book we want. now where is he? ♪ rying, whimpering) ♪ book! (clattering) ♪ me fergie, n! come o come on! come on, damnit! (door clatters) hey. ♪ (samuel)what is it? what are they doing? ♪ (book) listen, samuel. (b i want you to go to hochleitner's farm f ast as you can. and stay there, do you understand me? -are they gonna kill you? -i'll be all right. (samuel) but you don't have your gun. oo (bk) run, samuel. run! run! ♪ (engine turns over) ♪ (dog barking) (cow mooing) ♪ (engine turns over) come on! come on ♪ come on! come on. come on. come on. ♪ (gunshot) -samuel! samuel, he's out there! -no, no, rachel! (gunshot) ♪ (gunshot) ♪ (cows mooing) ♪ (book) yah! yah! ♪ (banging ♪ (cows mooing) ♪ (music intensifies) ♪ (music softens) ♪ (thunderous pattering) ((yelling, coughing)) (yelling) (gagging, choking) (rumbling continues) fergie! (pattering continues) fergie! (pattering slows, stops) (thumping) (gunshot) ae (schffer) mce! (gunshot) (cs mooing) mcfee! fergie! (foreboding music) ♪ -what's wrong? -i can't figure it out. where's fergie? (mcfee) i don't know. you better come on up. ♪ where's fergie? (sot clattering) -(rachel exclaims) -no! (eli whispers) shh. ♪ come on. we 're going outside. ♪ come on. ♪ (eli) go. ♪ (schaeffer) come on! ♪ (dramatic music) ♪ schaeffer! ♪ ♪ (book) come on. (gunshot) ♪ (groaning) (gunshot) (bell ringing) ♪ (schaeffer) stop the boy ringing that bell. i want you to stop the boy ringing that bell. !i want you to stop him n get outta here now! ♪ -let her go, paul! -put the gun down, book! (overlping yelling) -let her go! -i could blow her head off. let her . let her go, paul, the gun's down! gun's down. gun's down! ' it's down, it's down. don't hurt her. ♪ (music lightens) ♪ (speaking in german) ♪ (book) it's all right, rachel. just move. go on. rachel, just move. go! (chatter) (eli) rachel! rachel. ♪ (schaeffer) it's all right, i'm a police officer. man's wanted for murder. -no. -now stand back. (book) what are you gonna do, paul? you gonna kill me? are you gonna shoot me? are you gonna shoot him? -stand back! -are you gonna shoot him? isnahat what you're gon do, paul? him? the womanme? (birds chirping) it's over! engh! enough! enough. (whispered chatter) (radio chatter) (birds chirping) (samuel) goodbye, john book. goodbye, samuel. (tender music) ♪ you be careful out among them english. ♪ (music intensifies) ♪ (engine starts) ♪ steves until modern times, rome's river was part of its economy. then, in the 1870s, in order to protect the city from flooding, the romans walled off the tiber. they built tall, anonymous embankments that continue to isolate the river from the city to this day. while rome was born on the tiber, today the toms to ignore its river, but the city's graceful bridges connect thriving neighborhoods. is one of rome's most colorful districts. trastevere is the place to immerse yourself in the crustier side of rome. the name "trastevere" actually means "across the tiber river." wandering here offers a chance to hone your sense to see rome more intimately. you'll discover a world of artisans who've found their niche and love it. the people here, "trasteverini," are proud. old-timers once bragged of never setting foot on the opposite side of the river. as we explore and observe, aye big city seems worlds unfor maximum trastevere and insight, i'm joined by my friend and roman tour guide francesca caruso. especially here in trastevere, you get this sense of the many layers of rom caruso: certainly. that is really the key to understanding rome. this city has almost 3,000 years of history. it was never abandoned, so people have just built on topround of what was already there. steves: like a layer cake, isn't it? boy, there's a beautiful roof garden. caruso: yeah. most of us in rome live in apartments, so no garden, no backyard, so we all dream of the attico con terrazzo. steves: attico con terrazzo, an attic with a terrace. caruso: yes, so the skyline of rome is full of these littlees on the rooftops. steves: everything is so intimate. it's like we're walking through somedy's laundry room. caruso: well, we've always lived very close together here. sharing space is really not a problem. we don't even have t i word for "privacy" lian. we u the english word instead. we simply roll the "r," so we say privacy. steves: privacy. i know one more italian word now. caruso: [ laughs ] [ people conversing in italian ] steves: so, why are so many of the oldest churches in rome on this side of the river? caruso: e trastevere was the neighborhood of foreigners, often christian, who bro tht their faith wim, for the whole period of the persecutions, they could not build churches, so mass would be celebrated in the homes of wealthy converts steves: so, then, this is one of those kind of churches? caruso: yes, it was the house of cecilia, and in later times they built a church dedicated to her. steves: and today, the name of the church? caruso: is santa cecilia. steves: now, what happened to saint cecilia? caruso: saint cecilia and her husband were killed becausof their faith. the romans tried to steam her to death for the days in her own hom and after that, they beheaded her. steves: this is a beautiful statue. itt peaceful. caruso: yes, it's very quiet. there's something very tender about it and also very sad, about a young woman who was killed so brutally steves: the concept of a piazza serving as a community center goes back to ancient times. piazza santa maria in trastevere is the heart of this neighborhood. with its broad and inviting steps, the fountain was actually designed to be a kind of neighborhood sofa. great part of exploring a neighborhood is just sitting in the main square. caruso: i thin dit's really in o. we've been living in our piazzas as common living rooms since ancient roman bmes, so it's alwan this way, and let's hope it will always be this way in the future, too. steves: and, as usual, the district's main church fronts the main square. the church of santa maria in trasteveresa is also one of rome's oldest and most beloved churches. like cecilia's church, it's built on cee site of a thirury home, where early christians worshipped illegally. and, like the city itself, it been a work in progress rebuilt continuously over the centuries. the portico is decorated with ancient fragments filled with early christian symbolism -- the anch, birds, people with hands up, praying as evangelical christians do today. many of these stones were originally lids to burial niches from the catacombs. stepping inside tas yoback centuries. the granlumns were scavenged from ancient roman buildings. the churls like an ancient hall of justice. that's because early churches ad basilica floor plan -- a rectangular space divided by rows of columns. these mosaics are early medieval, well over 1,000 years old. bothey're rich in ssm. mary is given high stature. he has his arm around his mother as if introducing her to us. locals claim this is the first church ted to the virgin mary. i never leave without checking in with st. anthony, who hangs out in the back. r and is inundated with prayer requests on scraps of paper. (birds chirping)

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