That’s the question answered by Hayao Miyazaki’s latest film, which screens today at New York Film Festival under its much worse American title, The Boy and the Heron. I caught this last week and loved it — though it will definitely be divisive, especially for those expecting a film as straightforward as The Wind Rises. Alicia Haddick reviewed the movie for The Verge back in July, after its release in Japan. Check that one out, if you missed it.