"That otherworldliness comes from very tight rhythm playing"

"That otherworldliness comes from very tight rhythm playing": Kevin Shields on hiding music inside his new Fender pedal, his Jazzmaster setup secrets and what guitarists overlook about his technique

My Bloody Valentine's sonic architect on how he made a fuzz pedal that responds like an amp, that time he gigged without his rig, and why he has an entire pedalboard for one part in one song…

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