Harmony Byrne's Aesthetics of Honesty | Arts | The Harvard Crimson

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It’s morning in Australia’s Dja Dja Wurrung country, and even over an international phone line, the songbirds’ celebrations lilt in and out of tune with singer-songwriter Harmony Byrne’s laugh. “Those little songbirds, I tell you, healed me so much!” Byrne says. She’s been living alongside them in the bush of Victoria — sans studio, company, or car — since the onset of the Covid-19 pandemic last year. There, Byrne and the birds in the background recorded “The Songs I Sing When No One Is Listening,” an EP sent forth from the wilderness on Jan. 22 by a self-described “custodian of love.”

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