CANNES, France--Going to see "Godzilla" at the Palais of the Cannes Film Festival is like attending a satanic ritual in St. Peter's Basilica. It's a rebuke to the faith that the building represents. Cannes touchingly adheres to a belief that film can be intelligent, moving and grand. "Godzilla" is a big, ugly, ungainly device to give teenagers the impression they are seeing a movie. It was the festival's closing film, coming at the end like the horses in a parade, perhaps for the same reason. It rains all through the "Godzilla," and it's usually night. Well, of course it is: That makes the special effects easier to obscure. If you never get a clear look at the monster, you can't see how shoddy it is. Steven Spielberg opened "Jurassic Park" by giving us a good, long look at the dinosaurs in full sunlight, and our imaginations leapt up. "Godzilla" hops out of sight like a camera-shy kangaroo.