Mick Jagger
Desolation Row (1965)
I was playing Bob Dylan records at my parentsâ house when he was still an acoustic folk singer, but he was already very important and his lyrics were on point. The delivery isnât just the words, itâs the accentuation and the moods and twists he puts on them. His greatness lies in the body of work. I was at a session for Blood on the Tracks [1975] and really enjoyed watching him record Lily, Rosemary and the Jack of Hearts, with this incredible depth of storyline, surrounded by all these boring people from the record company who he had sitting in the control room. I couldnât record like that.