the flooding hasn't been as bad, but there's also a realisation, an acceptance that flooding like this is likely to happen again in the future. the headlines on bbc news... a woman found guilty of murdering her husband after a row over a family meal has been sentenced to life with a minimum term of 18 years. the government warns it may retaliate if france blocks british fishing boats in the row over post—brexit fishing rights. the uk saw the highest level of coronavirus infections since the pandemic began last week — figures suggest 1.3 million people tested positive. coming up up on bbc news ali sizer is in a defiant mood saying his team are ready to fight back every difficult week. a 5— zero from liverpool they are getting ready to face the spurs this week it would also eyes on them. elsewhere in credit defending west indies keep their men's t20 world hopes alive with a tense three run win over bangladesh. that's all on sports day at 630. now on bbc news it is time for the film review. hello and welcome to the film review on bbc news. to take us through this week's cinema releases is mark kermode. so mark, what do we have this week? very mixed bag. we have passing the directing debut. we have last night in soho which is the latest from edgar wright and we have antlers which is a strangely sombre horror movie. �* , , . which is a strangely sombre horror movie. �*, , ., movie. let's start off with passing. direct tutorial _ movie. let's start off with passing. direct tutorial debut _ movie. let's start off with passing. direct tutorial debut for _ movie. let's start off with passing. direct tutorial debut for rebecca i direct tutorial debut for rebecca hall. , ., . ., direct tutorial debut for rebecca hall. , ., ., ., ., hall. very fine actor. in adaptation ofthe hall. very fine actor. in adaptation of the novel _ hall. very fine actor. in adaptation of the novel by _ hall. very fine actor. in adaptation of the novel by nello _ hall. very fine actor. in adaptation of the novel by nello lawson. - hall. very fine actor. in adaptation l of the novel by nello lawson. tessa thompson are irene and claire. they knew each other as kids, this is a 1929 and they meet by chance and in upmarket new york establishment. it is a clip. pardon me, i don't need to see her but _ pardon me, i don't need to see her but i_ pardon me, i don't need to see her but ithink— pardon me, i don't need to see her but ithinkl_ pardon me, i don't need to see her but... i think i know you. i�*m but... ithinkl know you. i'm afraid but... i think i know you. i'm afraid you're _ but... i think i know you. i'm afraid you're mistaken. but... ithinkl know you. i'm afraid you're mistaken. no, i but... i thinki know you. i'ml afraid you're mistaken. no, of course i know— afraid you're mistaken. no, of course i know you. _ afraid you're mistaken. no, of course i know you. you - afraid you're mistaken. no, of course i know you. you look. afraid you're mistaken. no, of. course i know you. you lookjust afraid you're mistaken. no, of- course i know you. you lookjust the same _ course i know you. you lookjust the same tell_ course i know you. you lookjust the same. tell me, do they still call you ruby? — same. tell me, do they still call you ruby?— same. tell me, do they still call ourub? ,, , , you ruby? yes, but no one still be there for a — you ruby? yes, but no one still be there for a long _ you ruby? yes, but no one still be there for a long time. _ you ruby? yes, but no one still be there for a long time. don't - you ruby? yes, but no one still be there for a long time. don't you i there for a long time. don't you know me? _ there for a long time. don't you know me? not _ there for a long time. don't you know me? not really, - there for a long time. don't you know me? not really, really? i there for a long time. don't you i know me? not really, really? i'm afraid i can't— know me? not really, really? i'm afraid i can't seem to place you. claire? — afraid i can't seem to place you. claire? ., �* , afraid i can't seem to place you. claire?_ so - afraid i can't seem to place you. claire?_ so what's i claire? that's right. so what's happened _ claire? that's right. so what's happened is — claire? that's right. so what's happened is irene _ claire? that's right. so what's happened is irene is - claire? that's right. so what's happened is irene is now - claire? that's right. so what'sl happened is irene is now living in harlem with her husband was a doctor. claire however is married to john who is a bigot, a racist who believes that his wife is white which is the passing of the title. 0ne which is the passing of the title. one of the increase during the interesting things of the film is pretty much everyone in it is pretend they're not pretending to be something that they're not. you saw from that clip, the film is shot and for by foursquare film black and white. if you are watching a movie in this 1929 beswick movies would look like a square frame, black and white. the use of the black and white. the use of the black and white is fascinating because when you look at a black and it isn't to do with black and white it's to do with all the shades in between. and it kind of brilliantly and you would encapsulate the ambiguity going all through the film. i should say, if this is a very difficult subject matter to make a film about. i think rebecca hall is on it rather brilliantly. it's sensitive and it's handled very well. it's also dramatically engaging. there are moments of melodrama, absolutely. looks really good, performance is a really convincing and it's just one of those films that the more you think about it, the greater in achievement it is. because it would be so easy to do this in to get it wrong. it's quite a brave film to a maid. i think it's really rather good. it's in cinemas now, it's going to be on netflix. if you get a chance to see it on cinemas and you saw from that, it needs to be seen projected because it's a really good looking film. be projected because it's a really good looking film-— looking film. be like singing a film in the 20 come _ looking film. be like singing a film in the 20 come almost _ looking film. be like singing a film in the 20 come almost was - looking film. be like singing a film in the 20 come almost was up - in the 20 come almost was up exactly. in the 20 come almost was up exactl . �* ., , ., _, exactly. before every one could watch everything _ exactly. before every one could watch everything on _ exactly. before every one could watch everything on streaming. hollowing coming up. so it's spooky time and some horror films out. last niuht time and some horror films out. last nicht in time and some horror films out. last night in soho- _ time and some horror films out. last night in soho. made by shot of dead... so the story is a young girl from cornwall comes to london to be a passion soon, she is obsessed with the �*60s. she finds herself lightly taken back into the �*60s through dreams or are they dreams are a ghostly apparition? alexande who was a wannabe singer in the 1960s whose lives she starts to mirror and in fact starts to share that life is up on them on hand this is like a wishfulfilm on them on hand this is like a wishful film fantasy with somebody who loves a �*60s wakes up in the �*605 who loves a �*60s wakes up in the �*60s in a caf. it is also a nightmare because what happens is she starts to see things she can't do anything about. the thing i really love about him a big fan of edgar wright anyway, his movies of always sort of teetered on the brink of being musicals was up when he does a car chases there like musical car chases. when he does fight scenes it's like musicalfight scenes. this have dance scenes and big pop soundtracks but it slips between being between this and a slasher movie. at that was really clever between doing and how it shifted. people may find it's a bit to movie references because walking around in soho, every single street has a history of its own. he called it peeping toms midnight garden which i think is a brilliant description of it. i absolutely loved it. i description of it. i absolutely loved it. , ., description of it. i absolutely loved it. , . . ., loved it. i start twice and absolutely _ loved it. i start twice and absolutely love _ loved it. i start twice and absolutely love it. - loved it. i start twice and absolutely love it. and i loved it. i start twice and l absolutely love it. and the soundtrack _ absolutely love it. and the soundtrack is _ absolutely love it. and the soundtrack is supposed . absolutely love it. and the soundtrack is supposed to | absolutely love it. and the i soundtrack is supposed to be absolutely love it. and the - soundtrack is supposed to be great. wall—to—wall �*60s pop hits. i use brilliantly to get that slightly off—kilter field. he's brilliantly to get that slightly off—kilterfield. he's got brilliantly to get that slightly off—kilter field. he's got a great p0p off—kilter field. he's got a great pop sensibility anyway. i think you'd enjoy the photo i think you should see it twice because it's part of the second time. i should see it twice because it's part of the second time.- should see it twice because it's part of the second time. i see every film ou part of the second time. i see every film you recommend. _ part of the second time. i see every film you recommend. also - part of the second time. i see every film you recommend. also anotherl film you recommend. also another horror out is antlers. this film you recommend. also another horror out is antlers.— horror out is antlers. this is very stranue. horror out is antlers. this is very strange- from — horror out is antlers. this is very strange. from a _ horror out is antlers. this is very strange. from a story _ horror out is antlers. this is very strange. from a story called - horror out is antlers. this is very strange. from a story called the| strange. from a story called the quiet boy. this is executive producer... 0regon, ruraltown very impoverished. a teacher in dancers away but one of her here's a clip. i know you working on a story. willie reed _ know you working on a story. willie reed is _ know you working on a story. willie reed is a _ know you working on a story. willie reed is a little bit? ? will you read — reed is a little bit? ? will you read us — reed is a little bit? ? will you read us a _ reed is a little bit? ? will you read us a little bit?— reed is a little bit? ? will you read us a little bit? once there were three _ read us a little bit? once there were three tiers _ read us a little bit? once there were three tiers that _ read us a little bit? once there were three tiers that lived - read us a little bit? once there were three tiers that lived in i read us a little bit? once there were three tiers that lived in a | were three tiers that lived in a dark— were three tiers that lived in a dark and — were three tiers that lived in a dark and wet— were three tiers that lived in a dark and wet cave _ were three tiers that lived in a dark and wet cave up - were three tiers that lived in a dark and wet cave up above i were three tiers that lived in a dark and wet cave up above ai were three tiers that lived in a - dark and wet cave up above a small town _ dark and wet cave up above a small town big _ dark and wet cave up above a small town big hear. _ dark and wet cave up above a small town. big bear, little _ dark and wet cave up above a small town. big bear, little bear and - dark and wet cave up above a small| town. big bear, little bear and baby hear~ _ town. big bear, little bear and baby hear~ big _ town. big bear, little bear and baby hear~ big bear— town. big bear, little bear and baby bear. big bear use— town. big bear, little bear and baby bear. big bear use to _ town. big bear, little bear and baby bear. big bear use to take _ town. big bear, little bear and baby bear. big bear use to take care - bear. big bear use to take care of the little — bear. big bear use to take care of the little bears— bear. big bear use to take care of the little bears but— bear. big bear use to take care of the little bears but big _ bear. big bear use to take care of the little bears but big bear- bear. big bear use to take care of the little bears but big bear got i the little bears but big bear got sick _ the little bears but big bear got sick losses_ the little bears but big bear got sick. lossesjob _ the little bears but big bear got sick. losses job and _ the little bears but big bear got sick. losses job and his - the little bears but big bear got sick. lossesjob and his insidesj sick. lossesjob and his insides turned — sick. lossesjob and his insides turned black. _ sick. losses job and his insides turned black.— sick. losses job and his insides turned black. ., ., , , ., turned black. you get a sense from that sort of — turned black. you get a sense from that sort of sombre _ turned black. you get a sense from that sort of sombre creepy. - turned black. you get a sense from that sort of sombre creepy. i - turned black. you get a sense from that sort of sombre creepy. i want | that sort of sombre creepy. i want and it's a film about which is about social problem, domestic abuse, poverty. 0n the other hand it's a fantasy film. if you think of gail modell toros backbone which is make specific reference to it does nothing about melding reality and fantasy. i think this is only partly successful. there are some bits in it there like creature feature like pumpkin head. there are other things in it that are really about the grim, gritty reality of life. i don't think they fully got the parts to match up with that but i do think it's interesting to see somebody trying to tell an important story through the horror of fantasy genre. i think the problem is, it's hollowing, people go to movies or scares, if you're looking forjump scares, if you're looking forjump scares it doesn't really have that many of them. if you're looking for something that is flat social commentary it got too much fantasy. anyway the two halves don't quite match up. but it's ambitious and guillermo del toro does hang over like a shadow. you look at this and you think this is produced by the guy who made the devils backbone and who made the shape of water and pans labyrinth. this is and is good as any of those but it is interesting. two people go and see herjust because it's halloween do you think? absolutely. yes because everyone likes a good scare. {lbi absolutely. yes because everyone likes a good scare.— likes a good scare. of course they do. best likes a good scare. of course they do- best out _ likes a good scare. of course they do. best out at _ likes a good scare. of course they do. best out at the _ likes a good scare. of course they do. best out at the moment? - likes a good scare. of course they i do. best out at the moment? doon. have ou do. best out at the moment? doon. have you seen _ do. best out at the moment? doon. have you seen doing? _ do. best out at the moment? doon. have you seen doing? know- do. best out at the moment? doon. have you seen doing? know i - do. best out at the moment? doon. have you seen doing? know i tried i have you seen doing? know i tried to read the book which is a very big, thick book from 1965? yes. here's what they've _ thick book from 1965? yes. here's what they've done _ thick book from 1965? yes. here's what they've done they _ thick book from 1965? yes. here's what they've done they cut - thick book from 1965? yes. here's what they've done they cut it - thick book from 1965? yes. here's what they've done they cut it in i what they've done they cut it in half. this is due in part one foot out the best thing is they made part one not knowing whether they be able to make part two. ? dune. as of tuesday part two is definitely happening. when you consider how many people have been defeated by the novel of dune, i think they've done a terrificjob. as i said last week on the show the massive space worms are really impressive. i mean that as a compliment. and best reissue? seven samurai is back in seminaries as part of the bfi japan season this is cura ao is masterpiece was that many people know because it's the film that inspired magnificent seven. back on the big screen. a great reason to go back to the cinema, every once in seven samurai but see a projected, on a big screen is really fabulous. it still looks as exciting and thrilling as it did when i first came out and it is fantastically influential. why, why is it so influential? because it's good. it literally comes onto that. because it's good. it is a brilliant story well told in a story which is been retold in so many different genres. it's the source well. it works because it's a really well—made film. ithink because it's a really well—made film. i think the secret to cinema is that simple, good films indoor. if only everybody can make a good film. . �* . if only everybody can make a good film. . �* , ., if only everybody can make a good film. . �*, ., ., , , |f film. yeah, it's not that simple. if onl it film. yeah, it's not that simple. if only it was _ film. yeah, it's not that simple. if only it was that _ film. yeah, it's not that simple. if only it was that simple. _ film. yeah, it's not that simple. if only it was that simple. mark, - film. yeah, it's not that simple. if. only it was that simple. mark, thank you very much indeed. that is it for this week. thank you all for watching, goodbye. let's get the latest check on the weather and the good news is the heavy rain has eased from some parts of the country at least. in the northwest of england and southern parts of scotland where the river levels are running high and so much rainfall in last few days or so. at this weekend there is for the rain on the way. but it is good to be a very changeable weekend, there will be rain and sunshine and back to rain again. here's the rain from today. you can see it's pushing away into northeastern scotland. to the course of this evening it will make it lead to the north sea of a lot of clear weather across the us denied uk however the weather once again turn from late evening and through the early hours across many western areas of the uk. this is the next waterfront heading our way for the because he 5am it's raining from southwestern england across wales, lancashire, cumbria and also into scotland. it's the next waterfront, you can see to come of that storm we just had here in the north this is the next one forecast for saturday. a very wet morning for some of us. at this waterfront will be moving swiftly through. so that does mean that from late mood that morning onwards in fact many of us into the sunshine it will drag its heels from the extreme northeast of england and eastern scotland, maybe wet well into the afternoon. but this is what the afternoon looks like across the bulk of the uk between 11 and 15 and plenty of sunny spells on the way. a rather quick moving weather front. again saturday night into sunday it's clear for a time before yet another one moves in. and another thing that we also can't forget is that saturday night into sunday at the clocks changed. here's a look at sunday's weather forecast, it is halloween, some of you folks might be out trick—or—treating. it is looking pretty wet with the low pressure moving early in the morning. so the early part of the day is looking wet and really will solve the ground. gale force winds expected around the welsh goes into the southwest as well come the afternoon and evening things will dry out so the weather is looking better somewhat at least sunday afternoon into sunday evening. it's going to remain unsettled into the first part of the week but the weather will settle down with high building across the uk as we head towards thursday and friday. so we have been few days of some pretty rough weather up and down the hill of sunshine, rain, back to sunshine, back to rain again. bye—bye. today at six, a woman is found guilty of murdering her husband, whom she'd claimed coerced, controlled and physically abused her for years. penelope jackson stabbed her husband david three times with a kitchen knife, admitting the attack when police made their arrest. i admit it all. all right. she's been sentenced to life, with a minimum term of 18 years. also on the programme... in the row over post—brexit fishing rights, france threatens to block british vessels, while the uk says, "two can play that game." making treatment for the menopause cheaper. prescription charges for hormone replacement therapy in england will be cut. the president meets the pope at the vatican, with both hoping

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