Amid a global pandemic that sparks sudden amnesia, Aris (Aris Servetalis) is enrolled in a recovery programme designed to give blank people new identities. Armed with a Polaroid camera, Aris is tasked with creating and documenting fresh memories, a project that becomes complicated when he meets fellow patient Anna (Sofia Georgovassili). by Ian Freer | 11 hours ago Apples starts as it means to go on. Close-ups of a banal house interior are cut to the beat of a dull, steady drumbeat. The noise, it turns out, is a man, Aris (Aris Servetalis), rhythmically banging his head on a door jamb, oblivious to any pain. It’s an oddball note that Christos Nikou’s film not only runs with but amplifies, delivering a deadpan but weirdly moving treatise on the relationship between memory, identity and grief. Nikou, an assistant director on Richard Linklater’s