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Key figure in English Civil War from Loughborough explored in new book

Key figure in English Civil War from Loughborough explored in new book Henry Hastings fought off attacks by Oliver Cromwell Henry Hastings, from Loughborough, a key figure in the English Civil War Never miss another Leicestershire story by signing up to our free email updatesInvalid EmailSomething went wrong, please try again later. Sign up When you subscribe we will use the information you provide to send you these newsletters. Your information will be used in accordance with ourPrivacy Notice. Thank you for subscribingWe have more newslettersShow meSee ourprivacy notice The life of a man from Loughborough who was a Royalist army leader in the English Civil War has been explored in a new book.

Mukesh Ambani s recent £57 million worth purchase: Here is a list of things that make 1000-year-old Stoke Park iconic

History of Stoke Poges where Stoke Park Club is located - According to a local historian Lionel Rigby, the earliest known owner of the manor of Stoke and Ditton (Stoke Park estate) was Siret the Saxon, vassal of King Harold. - After the Norman Conquest at the end of the 11th century, Siret was forced out of the manor and William Fitz Ansculf from Picardy was granted a tenancy. - 1750 is considered as a key date in the development of Stoke Park, stated the club’s website. However, the history of the Stoke Park estate dates back to the Domesday Book (book was completed in 1086). In 1813, the owner of what was then called the Mansion House (the present Stoke Park Club) and the Manor House wrote what he called an historical and descriptive account of Stoke Poges.

80s Sitcom Stars You May Not Know Have Died

80s Sitcom Stars You May Not Know Have Died Michael Ochs Archives/Getty Images By Brian Boone/April 9, 2021 7:26 pm EDT Of all the wonderful eras of television, the 1980s might have been the golden age of the situation comedy, or at least a certain kind of sitcom. The TV landscape was still by and large dominated by three broadcast networks, who presented programming that appealed to as broad an audience as possible. Most comedies of the era could be safely consumed by adults and little kids alike, because they were generally clean, understandable, and offered jokes that were easily digested. They also all kind of looked the same, shot on a set with multiple cameras and a laugh track-sweetened studio audience telling viewers at home when to laugh.

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