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Goa News |Goa s Pride, India s best film editor, Waman Bhonsle, no more (By: GOANEWS DESK, PANAJI)

Goa’s Pride, India’s best film editor, Waman Bhonsle, no more GOANEWS DESK, PANAJI | 26 April 2021 15:37 IST   He was the Pride of Goa and the finest film editor of India, a recipient of the first ever National Film Award instituted by Government of India in 1978. Waman Bhonsle, from Pomburpa in Bardez, expired today early this morning at 89. “Since the lockdown last year, he was not keeping well due to age-related ailments”, said Dinesh Bhonsle, his nephew and a Goan filmmaker. Survived by his wife, a son and three daughters, Bhonsle breathed his last at his Goregao residence in Mumbai.  During his 47-year long career in the Indian film industry, he edited 231 films and practically every film of Gulzar

Rapper D Evil s New Song Kaancheck Talks of Need to Restore Law and Order - Watch

MUMBAI — Mumbai-based rapper D Evil released his new song Kaancheck,’ and the artiste says he tried to put an unbiased perspective on the real issues of society, keeping the current

Rapper D Evil s new song Kaancheck talks of need to restore law and order

Mumbai-based rapper D Evil released his new song Kaanceck , and the artiste says he tried to put an unbiased perspective on the real issues of society,keeping the current socio-political situation in mind.D Evil has collaborated with rapper .

The Leading Role

ISSUE DATE: April 19, 2021 UPDATED: April 9, 2021 21:55 IST The Longest Kiss: The Life and Times of Devika Rani by Kishwar Desai Anyone who has researched Indian film history knows well the frustration of discovering that much of what they have to work with is hearsay and that countless important documents are forever gone. Given this, one’s first response to The Longest Kiss, a detailed account of two decades in the life of Devika Rani, pioneering actress and studio head, is to be glad for its existence. Though Devika lived till 1994, the period covered here is mainly from the late 1920s, when she met and fell in love with the actor-producer Himanshu Rai, with whom she would establish Bombay Talkies, to the mid-1940s, a few years after Rai’s death, when she married the Russian painter Svetoslav Roerich and quit the industry. This period, a pivotal one for Hindi cinema, included her stint as one of the first well-educated Indian women to become a film star; the deterioration

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