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Art organisation Frieze marks its 30th anniversary with a fresh look

Frieze marks its 30th anniversary with a fresh look The typography-led identity is designed by Pentagram’s Luke Powell and Jody Hudson-Powell, while Frieze creative director David Lane has developed an accompanying campaign that puts the art front and centre 08/02/2021 8:43 am Founded in 1991, over the last three decades Frieze has built up an artistic empire comprising three publications – Frieze, Frieze Week and Frieze Masters Magazine – and four international art fairs in London, New York and Los Angeles. In recent years, the organisation’s scope also expanded to include digital platform Frieze Viewing Room, alongside editorial initiatives such as podcasts and talks. But the growth of the organisation and the development of various sub-brands had led to a range of different visual identities and wordmarks being in use.

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Frieze reveals typographic rebrand for its 30th anniversary

Frieze reveals typographic rebrand for its 30th anniversary Pentagram’s Luke Powell and Jody Hudson-Powell have redesigned the organisation’s identity, which aims to unify its publications and international art fairs. February 5, 2021 3:38 pm Pentagram has designed the new visual identity for Frieze, to coincide with the art organisation’s 30th anniversary. Established as a magazine in 1991, the organisation now has three publications: frieze, Frieze Week and Frieze Masters Magazine. It also runs four art fairs anually in London, New York and Los Angeles. More recently, it has expanded into the digital sector with online platform Frieze Viewing Room as well as a line of podcasts and talks.

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Logitech Launches New Brand Campaign 'DEFY LOGIC'

Logitech Launches New Brand Campaign ‘DEFY LOGIC’ By Staff 2 months ago Campaign Ad Starring Lil Nas X and His Upcoming Song “Montero (Call Me By Your Name)” to Air During Super Bowl LV NEWARK, Calif.–(BUSINESS WIRE)–Logitech (NASDAQ: LOGI) today announced the launch of a brand campaign, DEFY LOGIC, featuring creators, artists and activists who are defying expectations and breaking barriers to inspire and change the world. The centerpiece of the new campaign is an ad that will air during the Super Bowl, featuring GRAMMY-award winning rapper and songwriter Lil Nas X and his upcoming song “Montero (Call Me by Your Name).”

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BenchSci Listed as Best Workplace™ for Startups in Canada for 2nd Consecutive Year

Search jobs BenchSci Listed as Best Workplace™ for Startups in Canada for 2nd Consecutive Year Recognition reflects vision to bring medicine to patients 50% faster by 2025, reaffirms dedication to employee wellbeing TORONTO - January 26, 2021 - (Newswire.com) BenchSci has been listed as a Best Workplace™ for Startups for the second consecutive year. This honor follows thorough and independent analysis by Great Place to Work® Institute Canada. BenchSci s mission is to increase the speed and quality of life-saving research. The company provides AI-powered software for pharmaceutical research. Its platform empowers scientists to develop treatments faster, with fewer, more successful experiments.  We re proud and honored to again be recognized as a Best Workplace for Startups by Great Place to Work, says Liran Belenzon, BenchSci s CEO and cofounder. Building a company of amazing people is as important to us as providing our cust

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10 Creative Coding Examples That Are Redefining Programming

Everything in Existence by fuse Infinite Command Team by Casey Reas Land Lines by Zach Lieberman ALGOBABEZ by Shelly Knotts Tecnicontrol by Bradley G Munkowitz (GMUNK) PEmbroider created at Frank-Ratchye STUDIO for Creative Inquiry Learning to See by Memo Akten 1. Audience by Random International Random International is a London-based experimental art studio that has been pioneering the creative coding space for well over a decade now. Their work touches on deep social themes and has been exhibited internationally in spaces like the MoMa. Audience, one of their earlier pieces of work from 2008, uses motion tracking software and creative coding to create an almost uncomfortable, anthropomorphic experience. As a gallery visitor steps in front of rows of individually dancing mirrors, they instantly synchronize and lock onto the viewer. With 100 mirrors now looking right back at you, you then become the focal point of your own onlooking.

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