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Six Reasons Why Zola, a Virtuoso Walk on the Wild Side, Is the Must-See Movie of the Summer (Column)
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As far as adaptations go,
Zola is remarkably faithful to its source material, the 148-tweet thread known as #TheStory. When director Janicza Bravo and her co-writer Jeremy O. Harris came on board to translate the words of A’Ziah “Zola” King to the screen, they set out to preserve her voice, her agency, in the too-wild-to-be-true odyssey she initially shared with the world. (King also served as an executive producer on the film.) Clearly enamored with King as a person and a storyteller, Bravo and Harris treat #TheStory as scripture, and
Zola is
the stylish vessel for her hallowed words. In doing so,
In the eighth century, Homer wrote the epic poem âThe Odyssey,â and in 2015, a woman named AâZiah âZolaâ King took to Twitter to share her own incredible saga. In a 148-tweet thread, she described a trip to Florida that she took with a new friend in a tale of strip clubs and sex work arguably more harrowing than the journey of Odysseus.
âThe Story,â as it came to be known, instantly went viral. A feature in Rolling Stone by David Kushner followed and soon Hollywood types were haggling over the rights to capture this lightning-in-a-bottle moment.
The film, âZola,â arriving on screens six years later and directed by Janicza Bravo, is a delightfully dark and funny cinematic imagining of Zolaâs epic. And most importantly, it preserves and maintains the most crucial element of Kingâs story: her perspective and voice.
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In 2015, Aziah “Zola” King’s 148-tweet epic took the internet by storm. The viral thread read like a Jack Kerouac novel and captured people’s attentions with every 165 characters. When it was announced that it would be made into a movie, there was apprehension around the move. Could 148 tweets which each take seconds to read properly adapt to a full-length feature? The answer is “Hell yes!” Over the course of a perfectly short, 90-minute runtime,
Zola manages to be fun and stylish as it also focuses on female friendship.
Directed by Janicza Bravo, who co-wrote the screenplay with Jeremy O. Harris, the film follows Zola (Taylour Paige), a waitress who’s roped into a spontaneous, interstate road trip to Tampa, Florida by Stefani (Riley Keough), a wild dancer always looking for somewhere to make a quick buck. What was supposed to be a weekend to get some quick cash turns into a perilous escapade involving Stefani’s pimp (Colman Domingo) and anxious boyfrien
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