London indie outfit This Is The Deep make wonderfully eccentric but catchy music.
The Best is Yet to Come (Part 1) is a mini-album that plays at 45 RPM, whose eight songs mingle quirky post-punk dub-funk with something altogether poppier and frothier. They are unafraid of utilising quirky sound effects and stylings that, in others hands, might lead to a kitsch novelty factor, but in theirs the results range from outright pop to the skronk-punk-jazz abstraction of “Eyes on You” to a weird slowie to vaguely Talking Head-ish moments to the cinematic exotica of the title cut. Uncategorizable and brilliant, keep your eyes and ears attuned for more from on this lot.
Virginia Man Used Pole-Like Object and Strobe Light to Assault, Disorient Cops During Capitol Siege: Feds
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ÉDITORIAL DE DOGMAZIC NET DE MARS 2021
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The best portrait photographers always use the most expensive lighting set ups right? This great video from photographer Irene Rudnyk shows you how to create stunning results from a single on-camera flash that costs only $50. Rudnyk has carved a reputation for creating beautiful, ethereal portraits and it is perhaps testament to her skill as a photographer that the results
T-Pain has long been considered one of the innovators of bringing Auto-Tune to the mainstream in the late 2000s, leading rappers like Kanye West and Lil Wayne to use it prominently in their music.
According to Diddy’s engineer Matt Testa, the Hip Hop mogul saw T-Pain as the architect of the movement and even asked for his permission to use Auto-Tune. After receiving the green light, T-Pain ended up getting royalties without contributing anything other than his influence. In a new interview with
Revolt, Testa told the story and explained how the sound at that time shaped Diddy-Dirty Money’s