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NHS launch serious incident review after 'gentle' Staffordshire man, 28, takes own life

The inquest took palce at Staffordshire Place Want Stoke-on-Trent news emailed to you direct from our journalists? Sign up to our newsletterInvalid EmailSomething went wrong, please try again later. Subscribe When you subscribe we will use the information you provide to send you these newsletters. Sometimes they’ll include recommendations for other related newsletters or services we offer. OurPrivacy Noticeexplains more about how we use your data, and your rights. You can unsubscribe at any time. Thank you for subscribingWe have more newslettersShow meSee ourprivacy notice Troubled Steven Tyson took his own life - despite mental health workers believing he was getting better.

The Quietus | Reviews

Lines Redacted Hayley Scott , February 25th, 2021 09:18 Leeds post-punks Mush have returned. And they have brought the riffs. Hayley Scott smells a potential future classic Since its epoch during the late 1970s, there have been myriad post-punk revivals, leading to a presumed cultural fatigue. The truth is, contemporary post-punk is as powerful, challenging and exciting as it’s ever been, and the reason why is simple: post-punk, like punk, has always lent itself to socio-political themes. It makes perfect sense: the very nature of politics is, like music, rooted in conflict and harmony. An increasing number of bands are relying more on musicality, rather than lyrical content, to denote social and political upheaval. Like Black Country, New Road, Dry Cleaning, and Squid, Leeds trio Mush have mastered a sound that couldn’t belong to any other time than now. On 

Mush: Lines Redacted

Bandcamp / Buy Mush’s Dan Hyndman savors every syllable. On the Leeds post-punk band’s second album, the vocalist and guitarist delivers five-dollar phrases with obvious glee, offering acerbic commentary ripped from international headlines. Songs about Russian bots meddling in elections and drinking bleach to cure COVID-19 could only be written in the present day, but Lines Redacted also serves as a monument to the band’s late guitarist Steven Tyson, whose versatile shredding defined their sound. Mush first earned attention with their 2017 single “Alternative Facts,” named for the nonsense phrase Kellyanne Conway used to justify former White House press secretary Sean Spicer’s lies about the size of the crowd at Donald Trump’s inauguration. Nearly 10 minutes long, the song became a surprise favorite of BBC Radio 6 DJ Marc Riley, showcasing both the group’s duelling six-string pyrotechnics and topical takes on current events. At the ti

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