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Anushka Sharma Birthday Special: Rukhsana From Pari To Mamta From Sui Dhaga, Shades Of Versatility The Actor Showcased

Anushka Sharma Birthday Special: Rukhsana From Pari To Mamta From Sui Dhaga, Shades Of Versatility The Actor Showcased Today as Anushka Sharma celebrates her birthday, let’s celebrate her versatility, her characters, women she brought alive on the big screen. NH10, Pari, Sui Dhaga & More, Celebrating Anushka Sharma’s Versatile Portrayals(Photo Credit – Imdb) Versatility is a virtue every actor tries to attain. Some come out glorious, and many take time. But there is a clan that does it so effortlessly that even the world doesn’t realise they have already shown a range. Anushka Sharma made a big Bollywood debut alongside Shah Rukh Khan in

Is David Dhawan the reason that Varun Dhawan is not doing films like Badlapur and October?

Is David Dhawan the reason that Varun Dhawan is not doing films like Badlapur and October? Varun Dhawan, by no means, is a bad actor. His work in October, Badlapur, and Sui Dhaga are proof of that. October especially was a beautifully made movie in which he offered a subtle, restrained performance. It s possibly his best work till date. And the audience liked these movies for the kind of content they offered. It also deviated Varun s image from the typical masala roles that he s been associated with. Given the whole nepotism debate, it would actually work in his favour to venture into films that aren t massy. But Varun keeps acting in movies that seemed like they re all rehashed versions of each other. More often than not, he also plays terribly stereotypical characters that are nonsensical.

The changing face of hindi film entrepreneurs

The changing face of hindi film entrepreneurs A still from Band Baaja Baaraat 6 min read Share Via Read Full Story Scam 1992 (on Sony Liv), which told the story of Harshad Mehta in granular detail, was the breakthrough series. It followed his rise from a lowly stockbroker to a messiah who controlled the fate of the market, painting Mehta as simultaneously arrogant and ambitious, irrepressible and charismatic, leaping from risk to risk without a care for failure. It was the most compelling portrait yet of an entrepreneur on Indian screens. In the black-and-white era, as well as the first two decades of colour cinema in India, film characters with an entrepreneurial spirit were rare. There were practical reasons for this. In the post-independence years, it was difficult for young people to strike out on their own. When the hero in a 1950s or 60s film ran a business or ran from it, like Shammi Kapoor in

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