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Land trust sells off housing for the poor to finance new complex, and not everyone is cheering

When Bill Sulzman, 82, noticed people circling his small cottage carrying tape measures, cameras and clipboards last summer and fall, he knew something was up. He didn’t know then, but he’s since found out, that his home for 32 years, for which he pays nominal rent, was sold in October without his knowledge. That sale and others are part of a plan to liquidate many of Ithaka Land Trust’s roughly two dozen rental properties. Most were built 100 or more years ago and were acquired through donations and purchases financed by nuns and the city. Over the years, though, Ithaka’s maintenance bills grew while rents barely budged. With limited operating funds, the nonprofit has cooked up a plan to monetize the mostly Westside properties so it can fix up some of its rentals and build a low-income housing project southeast of downtown.

Stream weavers: The musicians dilemma in Spotify s pay-to-play plan

Stream weavers: The musicians’ dilemma in Spotify’s pay-to-play plan January 19, 2021 | 12:02 am By John Hawkins, Ben Freyens and Michael James Walsh Spotify offered the promise that, in the age of digital downloads, all artists would get paid for their music, and some would get paid a lot. Lorde and Billie Eilish showed what was possible. Lorde was just 16 when, in 2012, she uploaded her debut EP to SoundCloud. A few months later, Sean Parker (of Napster and Facebook fame) put her first single — “Royals” — on his popular Spotify Hipster International playlist. The song has sold more than 10 million copies. Eilish’s rags-to-riches story is a little murkier. But the approved narrative begins in 2015, when the 13-year-old uploaded “Ocean Eyes” (a song written by her older brother) to SoundCloud. She was “discovered.” Spotify enthusiastically promoted “Ocean Eyes” on its Today’s Top Hits playlist. She is now the

Stream weavers: the musicians dilemma in Spotify s pay-to-play plan

Spotify enthusiastically promoted Ocean Eyes on its Today’s Top Hits playlist. She is now the youngest artist with a billion streams to her name, and Spotify’s most-streamed female artist for the past two years. The new hit squad Buda Mendes/Getty Images Appearing on a prominent Spotify playlist is therefore a big deal. Economists Luis Aguiar and Joel Waldfogel calculated (in 2018) that a song appearing on Today’s Top Hits was worth about 20 million extra streams and $159,905 (US$116,000) to $224,694 (US$163,000) in royalty payments. That was when Today’s Top Hits had about 18.5 million subscribers. It now has more than 26 million.

Spotify s new pay-to-play business model: Who wins, and who loses?

John Hawkins and Ben Freyens and Michael James Walsh January 7, 2021 Source: Unsplash/sgcdesignco. Spotify offered the promise that, in the age of digital downloads, all artists would get paid for their music, and some would get paid a lot. Lorde and Billie Eilish showed what was possible. Lorde was just 16 when, in 2012, she uploaded her debut EP to SoundCloud. A few months later, Sean Parker (of Napster and Facebook fame) put her first single, Royals, on his popular Spotify Hipster International playlist. The song has sold more than 10 million copies. Eilish’s rags-to-riches story is a little murkier. But the approved narrative begins in 2015, when the 13-year-old uploaded “Ocean Eyes” (a song written by her older brother) to SoundCloud. She was ‘discovered”’. Spotify enthusiastically promoted “Ocean Eyes” on its Today’s Top Hits playlist. She is now the youngest artist with a billion streams to her name, and Spotify’s most-streamed female artist for t

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