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Here s the Deal — Strategic Culture

In his first primetime address, the president presented himself as a national father to a skeptical nation. By Curt MILLS Three hundred and sixty-four days…

United statesWhite houseDistrict of columbiaDonald trumpLyndon baines johnsonFranklin delano rooseveltWesley yangJoe bidenDepartment of defenseDemocratic partyWorld health organizationOval officeGreat societyPresident donald trumpPresident bidenAmerican rescue plan

Расклад такой: в своем первом обращении к гражданам президент Байден представил себя отцом скептически настроенной нации (The American Conservative, США)

Расклад такой: в своем первом обращении к гражданам президент Байден представил себя отцом скептически настроенной нации (The American Conservative, США)
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United statesDonald trumpLyndon johnsonWesley yangJo bidenFranklin rooseveltOval officePresident bidenPresident donald trumpFirst timeReal madridPoint viewComing soon countryImage johnsonஒன்றுபட்டது மாநிலங்களில்டொனால்ட் துருப்பு

Critical Race Theory Should Not Have the Only Seat at the Table

Critical Race Theory Should Not Have the Only Seat at the Table There’s no greater demon these days than Critical Race Theory (CRT), a field of criticism devoted to understanding the ways in which racism has systematically harmed people of color. Or at least that’s how it would seem, judging by the number of op-eds and media discussions from both conservative and liberal sources that regularly denounce it. It’s infiltrating our schools, we’re told. It’s quickly becoming the primary ideology that undergirds all of our most sacred American institutions, from schools to businesses to government. We must root it out or risk going down with the sinking ship that is American culture, critics lament.

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New Project for Lincoln Project! (It just fell in their lap)

The Lincoln Project’s legal response to the false and defamatory statements made by Rudy Giuliani. @ProjectLincoln https://t.co/HSX0cktGxE Dr. Joseph Frusci (@JFrusci) January 31, 2021

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Mira Nair, Lee Issac Chung, Lulu Wang on whether their identity as Asian American filmmakers ends up pigeonholing them

Mira Nair, Lee Issac Chung, Lulu Wang on whether their identity as Asian American filmmakers ends up pigeonholing them Filmmakers Mira Nair, Lee Issac Chung and Lulu Wang discuss their film aesthetics and how it shapes up to form a collective sensibility Nearly 40 years ago, the filmmaker Wayne Wang cobbled together $22,000 and shot his debut feature on the streets of San Francisco’s Chinatown. The result was Chan Is Missing, widely considered the first Asian American indie film and a work that managed to be at once a vérité peek into a neighbourhood, a sly neo-noir buddy film, and an experimental, complex allegory about Chinese American identity or, at least, about the ambivalence of it.

New yorkUnited statesKyonggi doSouth koreaSan franciscoLee isaac chungChris chan leeJustin chonWesley yangWayne wangMira nair salaamAlan yang tigertailAlan yangMira nairJustin linDenzel washington