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Sheryl Crow Looks Back Ahead of the Release of Her New Live Album
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Bob Dylan and his 1965 British tour
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Elvis Costello Cool With Olivia Rodrigo Borrowing From Pump It Up
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Viva Terlingua, recorded live in Luckenbach, TX, on a hot August night in 1973, is among the most legendary of “live” singer/songwriter albums ever released. It’s the Live at the Fillmore East of redneck Texas folk-rock. Essentially, it’s Jerry Jeff fronting the Lost Gonzo Band at the beginning of their long run together playing, living it up, having a ball, giving everybody the impression that life was a party, and to be sure, it was for a while. Given the loose, inspired performance on this set, Walker was every bit the equal of Willie, Waylon, and Billy Joe Shaver at the time. The material is terrific. Half of it is from Jerry Jeff’s catalog: “Sangria Wine,” “Gettin’ By,” “Little Bird,” “Get It Out,” and “Wheel.” The rest? Can’t possibly do better: Guy Clark’s “Desperados Waiting for the Train,” Ray Wylie Hubbard’s “Up Against the Wall, Redneck Mother,” Michael Murphy’s “Backslider’s Wine,” and Gary P. Nunn’s Austin City Limi
At least that s
Elvis Costello s take on similarities between his 1978 hit Pump It Up and the lead track, brutal, off 18-year-old pop supernova
Costello defended Rodrigo from plagiarism accusations on Monday via Twitter, saying Rodrigo didn t do anything he
wouldn t didn t do himself. This is fine by me, Billy, he wrote in reply to one Tweet on the matter. It s how rock and roll works. You take the broken pieces of another thrill and make a brand new toy. That s what I did.
Rodrigo s brutal, which is credited to her and producer
Dan Nigro, seems to appropriate the verse riff from Costello s Pump It Up in the same key but about 15 BPM slower. Vocally the two songs have little in common.