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Agencia Reforma | 25/07/2021 | 17:56 Hace 70 años, un 26 de julio, Disney estrenaba una de sus películas más arriesgadas y adultas, Alicia en el País de las Maravillas, la cual se alejaba de la narrativa clásica de cuento de hadas para niños y se metía de lleno en la psicodelia de la época, con referencia a las drogas, la depresión, la soledad, el abandono y el autoestima. Recuerda este clásico animado con nosotros, así como otras versiones del mismo relato que quizás no conocías. ENTRANDO A LA MADRIGUERA Fue en 1865 cuando las primeras copias de Alicia en el País de las Maravillas, escrita por el matemático Charles Lutwidge Dodgson (bajo el sinónimo de Lewis Carroll), salieron a la luz con una historia que se ha convertido en una de las más memorables del mundo.
An exercise in Verhoevian extremity. Courtesy of Kino Lorber
Spetters is a coming-of-age dramedy done Verhoeven-style. But there are certainly some familiar tropes throughout the film. Teenaged characters in this case, motocross racers aspiring to lives outside their boring-ass provincial town. Sexual hijinks. A hot, slightly older seductress whom the three boys at the center of the film Rien, Eef, and Hans all have boners for. Religious parents who have no clue the shit their sons get up to. Etc. etc.
But then there are elements that are sooooooo Verhoevian in their extremeties. Like when Rien, Eef, and Hans violently assault a gay man walking down the street. Or when they participate in a literal dick-measuring contest and start to visibly jack their limp penises off to get a more accurate measurement. And, in the most disturbing scene, when Eef gets gang-raped by gay hustlers in retaliation for ripping them off. (This rape, apparently, helps him come out of the closet.)
These Are the 100 Best Films of All Time, According to Critics
By Jacob Osborn, Stacker News
AND Ellen Wulfhorst, Stacker News
On 5/9/21 at 9:00 AM EDT
For more than a century, there have been movies, and people paid to review them. The first film critic, W.G. Faulkner, began churning out weekly reviews in January 1912.
Since then, movie criticism has retained countless core consistencies while evolving to keep pace with the medium itself. During this time, the two respective arenas have developed what some might call a symbiotic relationship. Movies often, but not always, depend on solid reviews to succeed, and movie critics rely on the emergence of new films to keep their jobs.