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On Glowing In The Dark, Django Django Explore Evolution And Escapism : World Cafe : World Cafe Words and Music from WXPN : NPR
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Stephen Moore
Django Django s fourth album is released by Because Music
- Credit: Supplied
Django Django have been cheerfully surfing their own wave of nerdish, electro-psych-rock for almost a decade, garnering plaudits, coveted slots on console game playlists and mid-table commercial success along the way.
But from the off, Glowing In The Dark feels like a step up for the Mercury-nominated band. Drum rolls and synth arpeggios gather pace in the opener Spirals, an anthem to hope that gleefully slings the listener into the band’s neon-spritzed stratosphere.
It’s immediately followed by the taut guitar motifs, irresistible adrenaline bounce and Beach Boys harmonies of Right The Wrongs and Got Me Worried, together an utterly compelling opening gambit that shows off improved arrangements and lively production. The latter track finds usually upbeat singer Vincent Neff stopping to phone a friend as doubts creep into his lyrics for the first time, and a percussive outro reminiscen
Glowing in the Dark album review | The Young Folks
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Stephen Moore
Django Django s fourth album is released by Because Music
- Credit: Supplied
Django Django have been cheerfully surfing their own wave of nerdish, electro-psych-rock for almost a decade, garnering plaudits, coveted slots on console game playlists and mid-table commercial success along the way.
But from the off, Glowing In The Dark feels like a step up for the Mercury-nominated band. Drum rolls and synth arpeggios gather pace in the opener Spirals, an anthem to hope that gleefully slings the listener into the band’s neon-spritzed stratosphere.
It’s immediately followed by the taut guitar motifs, irresistible adrenaline bounce and Beach Boys harmonies of Right The Wrongs and Got Me Worried, together an utterly compelling opening gambit that shows off improved arrangements and lively production. The latter track finds usually upbeat singer Vincent Neff stopping to phone a friend as doubts creep into his lyrics for the first time, and a percussive outro reminiscen
© Supplied by Django Django
Django Django
“Growing up at the other end of the bridge from Dundee, I always felt kind of half-Dundonian,” reminisces David Maclean, drummer and electronic programmer with art-pop group Django Django, speaking from his home in London in the build-up to the release of their fourth album Glowing in the Dark.
“I knew Dundee like the back of my hand, way more than I know most of Fife – I still don’t really know Dunfermline or Kirkcaldy at all.”
A son of Tayport
The son of artist Marian Leven and brother of John Maclean – who had his own musical fame with the Beta Band and more recently directed Michael Fassbender in the film Slow West – Maclean studied at Edinburgh College of Art, where he met his Django Django bandmates Tommy Grace, Vincent Neff and Jimmy Dixon.
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