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There’s a fantastic special feature on the new “Inside
Llewyn Davis” Criterion
Blu-ray in which filmmaker Guillermo Del Toro interviews Joel and Ethan
Coen entitled “The First Hundred Feet, The Last Hundred Feet.” In it, Del Toro
uses “Blood Simple” (the first hundred) and “Inside Llewyn Davis” (the last
hundred) to examine the entire career of the Coen brothers. At Sundance this
year, one could have had the same conversation with Kelly Reichardt, as
Oscilloscope premiered a restored version of her 1994 debut “River of Grass”
alongside the premiere of her star-studded 2016 film “Certain Women.” The
latter is a film that still haunts me weeks after returning from Park City and