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Kim Wilson, Take Me Back! The Big Tone Sessions (Album Review)

It’s ironic that two ex-bandmates from Austin’s Fabulous Thunderbirds would have overlapping new CDs. Of course, here, Wilson headed up his band on harp and vocals and ex-T-bird six-string Jimmie Vaughan just dropped a new CD too. It’s ironic here that Wilson touts that The Big Tone Sessions was recorded on analog tape just like “the classic music from labels like Chess.” Actually, a lot of the “classic” blues was actually cut direct to disc, but that would be a step too far. No matter, Wilson gets a fat, upfront harp sound a la Little Walter with, as it should be, mostly sparse accompaniment. Wilson liberally picks over the Chess catalog (four Jimmy Rogers originals) as he attempts to emulate the same Chicago sound that came out of that primitive studio on South Cottage Grove. Covers in the mix include a hip version of Jimmy Nolen’s “You’ve Been Goofing,” but re-doing Larry Williams’ “Slow Down” doesn’t translate well. Interspersed with several Wilson

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Pamplin Media Group - Curtis Salgado and his Damage Control life

Curtis Salgado and his Damage Control life February 23 2021 Longtime blues star navigates pandemic with same vigor as past, welcoming new album but yearning to perform live. Curtis Salgado s life, along with the lives of about 8 billion other people, changed about this time last year. And, in his now 67-year-old wisdom, he saw it coming. The music industry, in particular, would be on proverbial life support. Salgado, the longtime Portland bluesman and singer and nine-time winner of Blues Music Awards, played at a full-house gig in Everett, Washington, last February, walked off the stage and heard the news. The coronavirus had reached Washington state. But it didn t stop Salgado, who, along with guitarist Alan Hager, kept a commitment to do a show in Saipan, Japan, in March 2020.

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