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Article Contributed by KG Music Press | Published on Tuesday, May 11, 2021
Jon Byrd plays “what they used to call Country Music.” Born in Birmingham, Alabama, he grew up in the piney woods of south Alabama before becoming pivotal in Atlanta’s storied Redneck Underground music scene. He was always a featured sideman, but his first solo recording (
Byrd’s Auto Parts 2007) didn’t happen until after he moved to Music City nearly 20 years ago. Since then he’s recorded 3 other full-length solo records
Down at the Well of Wishes (2011),
Route 41 (2014), and
Dirty Ol’ River (2017).
He was a featured vocalist on the Red Beet Records Grammy-nominated I Love: Tom T. Hall’s Songs of Fox Hollow (alongside Patty Griffin, Buddy Miller, Bobby Bare, and Tom T. himself). His albums have been lauded by Mojo Magazine, Maverick Magazine and R2, and Jewly Hight of NPR’s World Café named Dirty Ol’ River some of the “Best Music of 2017” with Byrd bei
Launch Of Two Online Exhibitions Allows The Country Music Hall Of Fame® And Museum To Serve A Broader Audience
One exhibition, Suiting the Sound: The Rodeo Tailors Who Made Country Stars Shine Bright, explores the artistry of Western-wear designers who helped create the indelible rhinestone cowboy image.
The second exhibit, Dylan, Cash and the Nashville Cats: A New Music City, examines the artists and musicians who contributed to Nashville s expansion as a music center in the 1960s.
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® and Museum unveiled new, free-to-access online exhibitions:
. These multimedia exhibits are the first designed exclusively for the museum s website.
Today, the
Suiting the Sound: The Rodeo Tailors Who Made Country Stars Shine Brighter and
Dylan, Cash and the Nashville Cats: A New Music City. These multimedia exhibits are the first designed exclusively for the museum’s website.
“As a national history museum and global cultural institution, we are charged to consistently expand access to the museum’s collection and the interpretive work of our curators and historians, while advancing the documentation and preservation of American musical history,” said museum CEO Kyle Young. “These online exhibitions, made possible by a grant from the National Endowment for the Humanities, enabled the museum to create this novel exhibit platform. With it, we are not only able to reshare the story of the artists and musicians who helped to broaden Nashville’s reputation as a true Music City, but also to tell a new story, that of the clothiers who created unmistakable designs that are now synonymous with country music.”
Gene Watson - Gene Watson 18 Greatest Hits (18 tracks) +Album Reviews
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