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Crafting their way through lockdown

Crafting their way through lockdown An undated photo provided by Scott Wiggers shows Namita Gupta Wiggers in her stitched shirt, a pandemic artifact. She stitched the shirt for a year, adding Band-Aids in gold thread to signify her family members vaccinations. Scott Wiggers via The New York Times. by Steven Kurutz (NYT NEWS SERVICE) .- Necessity is the mother of invention, and at the start of the pandemic, the thing everyone needed was masks. To help keep people safe, an army of home sewers banded together last spring to make face coverings and other personal protective equipment for health care workers, family members and strangers.

The Maker s Hand - The Magazine Antiques

The Maker’s Hand Wire, silk, fabric, safety pins, and synthetic and natural threads; 72 by 99 inches. © Consuelo Jimenez Underwood; photograph by Michael Tropea, courtesy of the artist. Picture an American artisan in your mind’s eye. What do you see? Here’s a guess: a sturdy fellow of middle age, likely white, tools in hand, wearing a leather apron. He works alone, or maybe with an apprentice or two. And he is long dead. Fig. 2 Soundsuit by Nick Cave (1959–), 2009. Fabric with appliquéd crochet and buttons, knitted yarn, and metal armature; height 97, width 26, depth 20 inches. Crystal Bridges Museum of American Art, Bentonville, Arkansas; photograph by James Prinz, courtesy of Jack Shainman Gallery, New York.

Online Gala and Auction for JANM Kicks Off AAPI Heritage Month

Online Gala and Auction for JANM Kicks Off AAPI Heritage Month
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Juxtapoz Magazine - WHAT A DUMP: A Conversation about Ray Johnson and His Exhibition @ David Zwirner

WHAT A DUMP: A Conversation about Ray Johnson and His Exhibition @ David Zwirner David Zwirner // - May 22, 2021 April 29, 2021 | in Installation Untitled (Dear Shirley Temple, Geldzahler), 1956-1992 © Ray Johnson Estate Courtesy of the Ray Johnson Estate  Untitled (BRUNCH), n.d. © Ray Johnson Estate Courtesy of the Ray Johnson Estate  Untitled (Liza Minnelli with Pink Paint), n.d. © Ray Johnson Estate Courtesy of the Ray Johnson Estate  Untitled (Basic Instinct Lucky Strike), 1993 © Ray Johnson Estate Courtesy of the Ray Johnson Estate  Untitled (Sonny Cher), 1974-1986 © Ray Johnson Estate Courtesy of the Ray Johnson Estate  Installation view, Ray Johnson: WHAT A DUMP, David Zwirner, New York, April 8 – May 22, 2021. Courtesy David Zwirner.

Three exhibitions to see in New York this weekend

Dawoud Bey: An American Project Until 3 October at the Whitney Museum of American Art, 99 Gansevoort St, Manhattan The US photographer Dawoud Bey has been preoccupied with conveying and documenting the history of the African American experience for more than four decades. This travelling retrospective begins with the artist’s first series of street photography in Harlem in 1975 and ends with his 2017 nocturnal landscapes called Night Coming Tenderly Black, where he set out to visualise the path of fugitive slaves escaping under the cover of darkness to freedom on the Underground Railroad in Ohio. Among the highlights, Bey’s Class Pictures series (2001-2006) features colour portraits of high school students taken during various artist residencies at different museums around the country. His mission, in part, has for many years been to facilitate accessibility. “It’s a way of getting the museum as an institution to engage in an expanded conversation and to reconsider just

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