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Star Wars canon. Originally designed by
The Empire Strikes Back art director Nilo Rodis-Jamero, he explained in interviews that the craft’s unique look was based on a radar dish. In-universe, it’s a modified Firespray-31 attack craft that was stolen by Jango Fett and kitted out with all manner of advanced weaponry. After Jango’s death, it was passed down to Boba and played a major role in
The Mandalorian‘s second season, becoming the gang’s main ride after the Razor Crest was destroyed.
But there’s long been a big question about the ship and how it functions. Slave I flies vertically and lands horizontally and we’ve seen that the pilot is sitting up when flying. So, when it lands, is the inside of the ship now on its side?
This is where the clever bits come in. The filmmakers scanned those miniatures into the computer and then incorporated the digital versions of the miniatures into the StageCraft projections, meaning that the actors don t just have an empty environment to look at anymore.
Instead, they can see a background that s more alive with ships flying about in the distance. That s pretty damn cool. Disney+
Visual effects supervisor Richard Bluff pointed to a scene in season 2, episode 7 as a prime example of this technology, as Mayfield is seen in a scrapyard surrounded by broken down TIE Fighters and other random metal are strewn about, all of which had been created using projections on the StageCraft screens