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Out of the shadows

Out of the shadows
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New Entrance of the Domus Aurea / Stefano Boeri Architetti

© Lorenzo Masotto Text description provided by the architects. In the initial years of the Sixteenth century Raffaello Sanzio - and before him, at the end of the Fifteenth, Pinturicchio, Filippino Lippi, Signorelli and Sodoma - walked in the company of Giovanni da Udine through the mysterious frescoed galleries of a Domus Aurea not yet brought to light, buried by centuries of damnatio memoriae, land and Trajan buildings.  A maze made up of hundreds of rooms which, on the occasion of the anniversary of the death of the painter and architect from Urbino, host the exhibition curated by Vincenzo Farinella with Stefano Borghini and Alessandro D’Alessio,

Golden Age of Islam and lessons for today — I

Golden Age of Islam and lessons for today — I
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Thirteen masterpieces to grace MUŻA for years to come

A Tribute to the Greatest Western Thinkers: A School of Athens

A Tribute to the Greatest Western Thinkers: ‘A School of Athens’ “The School of Athens” is one of the most important and fascinating frescos in Western art history. Pope Julius II commissioned the prolific young artist Raffaello Sanzio da Urbino to decorate his private chambers in the Vatican. The first room that Raphael (1483–1520), as he is better known, tackled was the “Stanza Della Segnatura,” or “Room of the Signature,” so-called because it was where the Church’s most significant documents were signed, sealed, and set into enforceable doctrine. The room also served as the Pope’s library and as the meeting place for The Supreme Tribunal of the Apostolic Signatura the most powerful judicial body of the Catholic Church.

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