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Kamel Mennour s booth at Art Basel Hong Kong. © Art Basel Inside a dark room at Art Basel Hong Kong, Emi Eu, the director of Singapore’s STPI Creative Workshop & Gallery, was giving a group of eight guests a detailed introduction to Korean artist Haegue Yang’s works on paper.  Then, when the session was over poof! she disappeared.  Eu was part of a futuristic experiment that enabled overseas dealers stymied by travel restrictions and the mandated up-to-21-day quarantine to beam into the fair using hologram technology. This was one of many new experiments in evidence during the first physical Art Basel fair since the pandemic. 

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