Latest Breaking News On - மேரி க்ரூட்ஸர் - Page 1 : comparemela.com
A sparkling Cannes line-up for mk2 Films
cineuropa.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from cineuropa.org Daily Mail and Mail on Sunday newspapers.
Diagonale: Drehbuchpreise verliehen
orf.at - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from orf.at Daily Mail and Mail on Sunday newspapers.
Gruber geht - Drama | klack de
klack.de - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from klack.de Daily Mail and Mail on Sunday newspapers.
Jean-Christophe Reymond ⢠Producer, Kazak Productions The only way forward is to be original
Titane - his projects and the current state of the market
(© Carole Bethuel)
Jean-Christophe Reymond is currently overseeing work (in league with his associate
Amaury Ovise) on
Titane, not to mention films coming courtesy of
Clément Cogitore,
Cineuropa: How did you become a producer?
Jean-Christophe Reymond: It was when I was 20 years old that I first realised it was an option to work within this sector, rubbing shoulders with filmmakers and helping to create their works. I thought it would be an amazing job to do. I was at business school at the time and I applied to La Fémis, to learn about production. Until then, Iâd merely been a viewer of films, mostly on TV at that, and my expertise was mostly limited to Spielberg and independent 90s films: Abel Ferrara, Claire Denis and Larry Clake rather than Truffaut, Dreyer or Bergman. I learned a lot about product
Cineuropa: How did you become a producer?
Jean-Christophe Reymond: It was when I was 20 years old that I first realised it was an option to work within this sector, rubbing shoulders with filmmakers and helping to create their works. I thought it would be an amazing job to do. I was at business school at the time and I applied to La Fémis, to learn about production. Until then, Iâd merely been a viewer of films, mostly on TV at that, and my expertise was mostly limited to Spielberg and independent 90s films: Abel Ferrara, Claire Denis and Larry Clake rather than Truffaut, Dreyer or Bergman. I learned a lot about production direction at La Fémis. In fact, I still work with a number of the directors I graduated with, such as Nicolas Sihol and Teddy Lussi-Modeste. The next step was to learn what it really meant to be a producer, first via two years at Aurora Films and then by creating Kazak Productions. Since then, Amaury Ovise and I - who joined me as an associate producer