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Rising Festival 2021: The Nightline Project asks people awake in the night to call and leave a message

Rising Festival 2021: The Nightline Project asks people awake in the night to call and leave a message
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Why cities emptied by COVID-19 are perfect for modern flaneurs

Why cities emptied by COVID-19 are perfect for modern flaneurs Copying the approach of Baudelaire’s quizzical stroller can help us escape lockdown even if he needs a little updating By Chris Moss / The Guardian Charles Baudelaire, whose 200th birthday yesterday was celebrated with stamp issues, new editions of his poetry and virtual events, is arguably more famous for his concept of the flaneur an aimless stroller or ambler than for his writing. That’s partly because reading his volumes Les Fleurs du Mal or Le Spleen de Paris requires a degree of application, but also because the idea of an individual moving through the city streets and finding aesthetic pleasure in the teeming crowds, appeals to us and continues to chime. At least, it did until spring last year, when the crowds were told to stay at home.

Rising Festival 2021: The Nightline Project asks people awake in the night to call and leave a message

Advertisement It is the middle of the night and, half-awake in bed, he hears a sash window sliding open. He slips on his shorts, tiptoes across the hallway, flicks on the light and sees the intruder: tall, baseball cap, tattoos down his arms. Here goes, he thinks, and they “go into battle”. The burglar is dragged outside until the police arrive. Afterwards, the man returns to his life but feels the lingering effects of the trauma, including night-time wakefulness. Theatre maker and voice artist Roslyn Oades is Nightline’s co-creator. Every morning she listens carefully to each message that has been left overnight.

Why cities emptied by Covid are perfect for the modern flâneur

First published on Tue 6 Apr 2021 01.30 EDT Charles Baudelaire, whose 200th birthday on 9 April will be celebrated with stamp issues, new editions of his poetry and virtual events, is arguably more famous for his concept of the flâneur – an aimless stroller or ambler – than for his writing. That’s partly because reading his volumes Les Fleurs du Mal or Le Spleen de Paris requires a degree of application, but also because the idea of an individual moving through the city streets and finding aesthetic pleasure in the teeming crowds, appeals to us and continues to chime. At least, it did until spring 2020, when the crowds were told to stay at home.

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