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Philip Guston s daughter on his Klan paintings: They re about white culpability – including his own | Painting

Philip Guston s daughter on his Klan paintings: They re about white culpability – including his own Flatlands, 1970, by Philip Guston. His Klan paintings were condemned as wilfully inept at the time but no one objected to the subject matter. Photograph: ©The Estate of Philip Guston Flatlands, 1970, by Philip Guston. His Klan paintings were condemned as wilfully inept at the time but no one objected to the subject matter. Photograph: ©The Estate of Philip Guston The postponement last year of an exhibition of the artist’s work led to a fraught debate over race and culture. His daughter Musa Mayer fears his complex images are being misrepresented

Is seeing that Renoir essential? In the pandemic, cities differ

Is seeing that Renoir essential? In the pandemic, cities differ. In an undated image provided via Art Institute of Chicago, inside the Art Institute of Chicago. Arizona has allowed its museums to remain open despite a deadly outbreak, while in cities and states with far fewer cases, the doors have been closed. Via Art Institute of Chicago via The New York Times. by Julia Jacobs (NYT NEWS SERVICE) .- On a recent afternoon outside the Art Institute of Chicago, there was no trace of the line that typically snakes down the museum’s granite steps and along Michigan Avenue as visitors wait to enter the grand home of Edward Hopper’s “Nighthawks” and Grant Wood’s “American Gothic.” Every so often a passerby paused on the desolate sidewalk to take a selfie with one of the bronze lions guarding the museum, but there was no reason to go further: The doors were locked.

Hitting The Pandemic Wall

Here is the  Radio Boston rundown for February 3. Tiziana Dearing is our host. Dr. Peter Slavin, president of Massachusetts General Hospital, joins us to reflect on what we ve learned from dealing with COVID-19 in Massachusetts for over a year, how major hospitals are thinking about the vaccine rollout, and what the state should be focusing on as we move forward. A major Boston institution reopens today, after a second coronavirus pandemic closure: The Museum of Fine Arts, Boston. The museum has been closed for the last month and a half, as the city s COVID cases surged and the city placed new restrictions on public places. For more on the reopening, and what visitors can expect to see, we turn to the Director of the MFA, Matthew Teitelbaum.

Adversity forces reinvention: Matthew Teitelbaum on turbulent times at the MFA, Boston

The Museum of Fine Arts, Boston had to close twice in 2020 because of Covid-19 © Museum of Fine Arts, Boston Beyond a pandemic that has twice closed down his institution, Matthew Teitelbaum has weathered considerable turbulence recently as director of the Museum of Fine Arts, Boston (MFA). A budget shortfall caused by the first long shutdown of 2020 led to serious job cuts, and the museum faced a state ultimatum to become more welcoming to minorities after a 2019 racial incident involving visiting Black students. Staff later voted overwhelmingly to unionise, and charges of censorship flared after a controversial decision by the MFA and three other museums to delay a Philip Guston exhibition. In an interview with The Art Newspaper, Teitelbaum reflects on a year fraught with challenges.

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