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Record Store Day reveals full list of exclusive Black Friday vinyl releases
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The greatest UK female pop singer ever,
Dusty Springfield was a student of American sounds. As a member of The Springfields (“Silver Threads and Golden Needles”), she performed Peter, Paul & Mary-style folk, while terrific early solo hits like “Stay Awhile” and “I Only Want to Be with You” showcased her gift for exuberant girl-group epics. Presenting a subsequent string of 45 releases in the original mono versions,
The Complete Atlantic Singles 1968-1971 testifies to Springfield’s stunning versatility.
Her tenure at the fabled r’n’b label Atlantic resulted in the classic album
Dusty in Memphis, a masterpiece of down-home Southern soul, and its steamy hit single, “Son-of-a Preacher Man.” The A-list production team of Jerry Wexler, Tom Dowd and Arif Mardin took full advantage of Springfield’s magnificent voice, which could be sultry and intimate or soaring and expansive, sometimes in the same song. Her
The Vinyl District
February 4, 2021
Part one of the TVD Record Store Club’s look at the new and reissued releases presently in stores for February 2021.
NEW RELEASE PICKS: Douglas Lee,
Themes for Falling Down Stairs (Self-released) This album, available on 180gm vinyl, CD, cassette and digital, was released back in October, but it just recently entered my consciousness, and since the entrance was an impressive one, here we are and here it is. This looks to be Lee’s first record, but it’s obvious he’s accumulated experience along the way, as the compositions are his, and he plays a variety of (often unusual) instruments together with leading a large band that’s immersed in a neo-lounge jazz/ soundtrack mode (of a sort) that’s a bit like a puree of Henry Mancini, Nino Rota, Combustible Edison, and Angelo Badalamenti, with Mike Patton and John Zorn giving slow nods of approval from the sidelines. This batch of references will hopefully establish that Lee’s approach
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In 1968, the British pop singer Dusty Springfield signed to Atlantic Records and began working with the producer Jerry Wexler on “Dusty in Memphis,” her fifth solo album and the first she made in the United States. Springfield, who was already a star in the U.K., wore her hair in a voluminous blond bouffant, wreathed her eyes in heavy mascara, and sang in a tender mezzo-soprano. Her voice was effortless, yet there was something warm and vulnerable at the center of each note. “Dusty in Memphis” is now considered a creative apex for “blue-eyed soul” the teasing sobriquet, coined in the nineteen-sixties, given to Black music performed by white singers but sales of the album were measly at first, and Springfield made just one other record for Atlantic, “A Brand New Me,” in 1970, before leaving the label. A new compilation, “Dusty Springfield: The Complete Atlantic Singles 1968-1971,” collects the original, mono mixes of all twenty-four trac
February 2021 New Music Releases
Medicine at Midnight, the nine-song follow-up to 2017 s
Ragged Glory-era performance by Crazy Horse. Whitesnake s rootsier side will be explored on
The Blues Album, which pulls key songs from studio records released between 1984 and 2011. Elsewhere, the expanded 50th anniversary box set for the Band s
Stage Fright presents the 1970 studio project in its originally planned song order.
Black Sabbath s reissue of 1972 s
Vol. 4 is bolstered by 20 previously unreleased studio and live recordings. A collection of 1970-era recordings by Bob Dylan includes outtakes and alternate versions from the sessions that produced
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