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Piano Bar Live! Streams Today With Guests Terron Brooks, Adrienne Haan, Marissa Mulder, and More

Featuring new performers with every show, the weekly, award-winning Piano Bar Live! (PBL!) streams this Tuesday, May 4 at 7:15 pm ET, with host Scott Barbarino and guests Alexis Aguiar, Terron Brooks, Christian Daizey, Adrienne Haan and Marissa Mulder, plus Mystery Guests and MORE! PBL! continues the long-established tradition of the piano bar-that special place where we can gather, entertain, support and create, as we connect with live music. Best of all, PBL! is the the unique chance to see veteran performers pass the torch to the next generation of blossoming young talent. The line-up always features a mix of veteran and rising star performers from the world of piano bars, cabaret and Broadway.

Paul McCartney s Late-Era Albums Like McCartney III Are Fantastic So Why Do We Take Him For Granted?

Elaine Chung In 1970, Paul McCartney was in crisis. The Beatles were falling apart. Who was he without his bandmates and what kind of music would he make? He banged out a bunch of songs in isolation, playing all the instruments himself and recording on basic equipment, and released the results under the title McCartney. In 1980, Paul McCartney was in crisis. He had just broken up his band, Wings, after he got busted in Japan for marijuana possession and spent nine days in jail. Now what was he supposed to do? He dug up some home recordings he had made the previous summer experimental sketches, largely built on synthesizers and released the results under the title

Paul McCartney Is Still Making Great Music So Why Do We Take Him For Granted?

Paul McCartney Is Still Making Great Music. So Why Do We Take Him For Granted? Esquire 12/18/2020 © Elaine Chung In 1970, Paul McCartney was in crisis. The Beatles were falling apart. Who was he without his bandmates and what kind of music would he make? He banged out a bunch of songs in isolation, playing all the instruments himself and recording on basic equipment, and released the results under the title McCartney. In 1980, Paul McCartney was in crisis. He had just broken up his band, Wings, after he got busted in Japan for marijuana possession and spent nine days in jail. Now what was he supposed to do? He dug up some home recordings he had made the previous summer experimental sketches, largely built on synthesizers and released the results under the title

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