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Long lost 80s garage-psych exponents VIEWS are the subject of a new anthology.
Formed in the northern Italian city of Brescia in 1983, inspired by the nascent Paisley Underground scene, the band chimed with the times mixing Hüsker Dü melodic punk with Rain Parade psych and Sarah Records indie jangle, but with a distinct European edginess, to terrific effect.
Views made their recording debut on the now classic comp
Rockbeef alongside big-hitting scenesters Not Moving and Liars, before presenting their own debut mini-album
Namby Pamby in 1988.
This was followed by the suitably weirdly-titled full-length
Mummycat The World No.2 in 1990, featuring 8 originals, plus covers of Lou Reed’s ‘Real Good Time Together’ and The Beatles’ ‘Everybody’s Got Something To Hide Except For Me And My Monkey’, thus completing the sum total of their officially released recordings.
13 April 1981
Here’s an interesting pop music fact: Johnny Marr asked Mike Joyce to be in the Smiths after attending a gig by Anglo-Australian alt-rockers the Church. Would the modern musical landscape be any different if this event hadn’t happened? There’s a nice dinner-party discussion right there. As for
how the Church’s paisley-hued, nouveau psychedelia informed northern England’s premier purveyors of quality teenage angst, well, it’s up for debate. That said, there are some striking similarities (a certain 1960s aesthetic, a carefully measured approach to lyrics.
And here comes the biggie: the electric guitar is at the heart of every song, yet it never resorts to the overblown, rock-god histrionics that punk tried, but failed, to eradicate. In the era when everyone was buying one of those new and affordable synthesizers that appeared in music shops around the world, a few bands clung to their guitars. Some of those bands, such as the Church, were rewarded with a