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The association of
Satyajit Ray and
Mangesh Desai goes down in the annals of Indian cinema. Just as no other filmmaker achieved the peak scaled by Satyajit Ray, Mangesh Desai remains the undisputed wizard of sound and track recording and rerecording. Satyajit Ray noticed the brilliance of Mangesh Desai in films like Guide . From
Pratidwandi in 1970, Mangesh Desai recorded all Ray masterpieces till Ghare Baire . Satyajit Ray started recording his films at Rajkamal Kalamandir. Initially, optical soundtracks were used by Desai. From Pikur Diary, Sandip Ray’s directional debut, magnetic soundtracks replaced optical ones. In almost every film of Satyajit Ray, there were eight to nine soundtracks working. Remembers
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