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Blake Bailey s chronicling of Philip Roth s intellectual life is fascinating : book review
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Conservative Filmmakers Start To Fight Back
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A documentary film about an African American lawyer who rose from poverty and oppression in the Deep South to the highest court in the land would seem a natural for Black History Month. Yet, in February, at the very time its Prime Video service was featuring films highlighting black history makers, Amazon without explanation stopped offering digital streams of âCreated Equal: Clarence Thomas in His Own Words.â
While the film was pulled despite having at one time reached No. 1 on Amazonâs documentary charts, the worldâs largest online retailer continued to make available streams of less-popular documentaries, including a favorable one on Anita Hill, the former Thomas colleague who nearly derailed his Supreme Court confirmation.
Wirecard: Staatsanwaltschaft München schlägt zurück
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W.W. Norton; 912 pages; $40. Jonathan Cape; £30
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HILIP ROTH insisted he wasn’t a Jewish novelist. This was a strange protestation for an author whose subjects include overbearing Jewish parents and rebellious sons, circumcision, the Holocaust, anti-Semitism and the diasporic condition (as well as unexpected uses for kosher liver).
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Nor, he maintained, was he an autobiographical one. Yet from first to last, Roth’s stories circle back to the corner of New Jersey where he grew up. He spent years trying to find a fictional form in which to analyse his combustible first marriage. Unusually, he once apologised for secretly recording a former lover on the phone and inserting her memories word for word into “The Human Stain”. Even when writing “The Plot Against America”, which imagines Charles Lindbergh’s election as president and the subsequent persecution of the Jews, Roth murmured to himself “Don’