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Dordogne : tout l éclat du festival Musique en Sol
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Caunes-Minervois Aude : Les Arts Libèrent lancent le Festival de Caunes
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Lennon and McCartney go head-to-head yet again.
Ram was McCartney’s second solo album, released in 1971, and is a prime example of how popular music, on its release, is adjudged by so many factors other than music. Macca was in disfavour in 1971, regarded, wrongly, as the man who broke up The Beatles and also as the politico-spiritual lightweight of the quartet (Ringo has always been given a pass on these matters!). 50 years later, disconnected from all such blather,
Ram is a jolly thing, scrappy but fun, with an unpretentious thrown-together quality, songs such as lo-fi Beach Boys pastiche “Dear Boy” rubbing up against the entertainingly silly, music hall rockin’ ode to marjuana “Monkberry Moon Delight”. It does, indeed, sound like a man decompressing after the monumental, generational expectations placed on his previous band. In gatefold, it also comes half-speed mastered so sounds great. Lennon’s first solo effort, the
MUSIQUE : Ballaké Sissoko à Kora ouverte – Koulouba com
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TWO years in the making, Ballake Sissoko’s
Djourou ( No Format) draws together solo compositions alongside collaborations with a number of artists including Salif Keita, leading female kora player Sona Jobarteh, cellist Vincent Segal, French rapper Oxmo Puccino, singer-songwriter Piers Faccini and Arthur Teboul, the singer from Paris rock band Feu! Chatterton.
Djourou is the Bambara word meaning string and the kora has 21 of them. The string here refers to the connection with the artists who appear on the album.
It’s a wonderful blend of kora pieces with guest artists, notably Vincent Segal and Patrick Messina on clarinet teaming up with Sissoko for an epic journey on Berlioz’s Symphonie Fantastique.