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The Crunchyroll Virtual Expo Is Here

The Crunchyroll Virtual Expo Is Here
tvovermind.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tvovermind.com Daily Mail and Mail on Sunday newspapers.

English Memorial Project Launched for Osamu Kobayashi

free, easy, and News English Memorial Project Launched for Osamu Kobayashi posted on Octas to send submitted memorials to Kobayashi s family Patrick Macias of Octas, Inc. launched a memorial form on Tuesday for animator and director Osamu Kobayashi (pictured right in image at right), who recently passed away on April 17. Overseas fans who wish to write a memorial to Kobayashi s family can do so through the form. Octas will send the memorials to Kobayashi s family. 57-year-old Kobayashi passed away on April 17 after battling kidney cancer. Kobayashi directed such anime as

A sequel, a reboot and terror in the sky - By Tom Von Malder

Owls Head The Croods: A New Age (Universal, Blu-ray or DVD, PG, 96 min.). Seven years after the original movie, one’s second favorite Stone Age family – after “The Flintstones,” of course – meets the concept of neighbors and things do not always go smoothly, especially when the Croods eat the bananas. Yes, there is some monkey business going on in this sequel, which has a first-half geared more toward adults and an action-packed second half for the kids. Central to the story is orphan Guy (voiced by returning Ryan Reynolds, also of the “Deadpool” films), whose backstory begins the film. Guy was sent from his family because the tar was rising and was told to search for Tomorrow, which would be located where the sky is the brightest. Jumping forward several years to when Guy is a teenager, he encounters Eep Crood (voice by Emma Stone of “La La Land,” “The Croods”). Now, father Grug Crood (voiced by a returning Nicolas Cage) wants his pack to stay together –

Blu-ray Review: Shogun s Joy of Torture

Whenever you take a foreign cinema class at film school, you’ll be show the lofty titles that once played the fanciest of art houses in major cities. These are noble productions that made audiences feel like they needed to dress up for a screening. They expected to feel illuminated by deep meaningful productions about the human factor. They wanted real butter on their popcorn because nothing would be artificial on the silver screen as they read subtitles. When it came to the selection from Japan, your professor would make the hard choice of which Akira Kurosawa film would be put on the syllabus. Odds are it would be

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