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“Outlaws & Angels” puts any disappointment felt about Quentin Tarantino’s recent, bloated Western “The Hateful Eight” into perspective. This Western too focuses on a group of morally grotesque folk spending most of their time under one roof, while encountering pain as means for revenge, as distinctly shot on film. But the difference between Tarantino and his endless imitators has always proved vast, especially when a budding filmmaker cribs his style to shallow results. A movie hopped up on the period piece sadism within Tarantino’s regurgitation cinema, “Outlaws & Angels” gravely mistakes Tarantino’s audaciousness for its own originality. Advertisement At the very least, one never questions when watching a Tarantino movie if he’s invested in his period. That’s the first huge problem with writer/director JT Mollner’s “Outlaws & Angels,” which has a nagging air of mere genre exercise from the beginning, as a group of generic bank robbers are introduced (t

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