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WZRDBLVK announces new EP, Tarot, to be released in September
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As slippery to categorise as ever, Django Djangoâs fourth album is another masterclass in blurring genre boundaries in an unobtrusive but highly effective fashion. Once again, indie song structures are subtly enhanced with clever, deceptive rhythms, propulsive krautrock momentum and splashes of synths. And while the songs on
Glowing in the Dark might be less immediate than those on 2018âs
Marble Skies (particularly that recordâs thrilling title track), the hooks are still there â they just take a few more listens to sink in.
The excellent Headrush is a case in point, a sinuous intro underpinned by a mighty, Peter Hook-like bassline gives way to an unassuming verse that gradually picks up urgency but is no less powerful for never quite evolving into a chorus as such. Waking Up, with a breathy guest vocal from Charlotte Gainsbourg, glides past silkily. The World Will Turn, meanwhile, with its echoes of Nick Drake, finds them embracing