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Peter Löscher se incorpora a la comisión delegada del consejo de administración de Telefónica

Peter Löscher se incorpora a la comisión delegada del consejo de administración de Telefónica
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Peter erskineFranz javierJavier echeniqueNational commissionPresidents isidroPaul of carvajalபீட்டர் அரர்ஸ்‌கைந்தேசிய தரகு

Rush Drummer Neil Peart: Master Student

Rush Drummer Neil Peart: Master Student Neil Peart (Photo by Clayton Call/Redferns Getty Images) The band Rush has a huge fan base at home in Canada and around the world, but despite having a big appreciation for their musicianship, I’ve never counted myself among them. (Please don’t @ me.) In reading Brian Hiatt‘s moving Rolling Stone retrospective in which family, friends, and bandmates remember the late Neil Peart, Rush’s drummer, I learned a lot that deepened my respect for the band, and for Peart in particular. A year ago, Peart died from glioblastoma, the same form of brain cancer that took another important Canadian musician, Gord Downie.

New yorkUnited statesGord downieGeddy leeBrian hiattBuddy richPeter erskineMatt sorumFreddie gruberSteve smithNeil peartRolling stonePower stationSteve gaddMax roachபுதியது யார்க்

Alan Pasqua, the go-to keyboard wiz for jazz and rock legends, on Bob Dylan, Carlos Santana and Peter Erskine [The San Diego Union-Tribune :: BC-MUS-PASQUA:SD]

FAIRFIELD-SUISUN, CALIFORNIA Alan Pasqua, the go-to keyboard wiz for jazz and rock legends, on Bob Dylan, Carlos Santana and Peter Erskine [The San Diego Union-Tribune :: BC-MUS-PASQUA:SD] When Bob Dylan needed a genre-leaping keyboard great to provide supple instrumental accompaniment for his belated 2016 Nobel Prize acceptance speech-cum-lecture, the best person was close at hand. Alan Pasqua, who in 2009 was named the Chair of the Jazz Studies Department at USC’s Thornton School of Music, had toured and recorded with Dylan in the late 1970s. The two live about 20 miles from each other in Los Angeles. “I did not know the text for Bob’s speech, but I knew what it was for and was asked to record about 30 minutes of music, piano musings, nothing too specific. Luckily, I was free that day!” Pasqua recalled. More recently, he performed on “Murder Most Foul,” the nearly 17-minute epic from “Rough and Rowdy Ways,” Dylan’s masterful 2020 album.

New yorkUnited statesSan diegoSanta monicaNew jerseyLa jollaTrisha yearwoodMichael breckerJames moodyAllan holdsworthSheila jordanKate bushPeter spragueTony newtonDaniel atkinsonCarlos santana

Alan Pasqua, the go-to keyboard wiz for jazz and rock legends, on Bob Dylan, Carlos Santana and Peter Erskine

Print When Bob Dylan needed a genre-leaping keyboard great to provide supple instrumental accompaniment for his belated 2016 Nobel Prize acceptance speech-cum-lecture, the best person was close at hand. Alan Pasqua, who in 2009 was named the Chair of the Jazz Studies Department at USC’s Thornton School of Music, had toured and recorded with Dylan in the late 1970s. The two live about 20 miles from each other in Los Angeles. “I did not know the text for Bob’s speech, but I knew what it was for and was asked to record about 30 minutes of music, piano musings, nothing too specific. Luckily, I was free that day!” Pasqua recalled. More recently, he performed on “Murder Most Foul,” the nearly 17-minute epic from “Rough and Rowdy Ways,” Dylan’s masterful 2020 album.

New yorkUnited statesSan diegoSanta monicaNew jerseyLa jollaTrisha yearwoodMichael breckerJames moodyAllan holdsworthSheila jordanKate bushPeter spragueTony newtonDaniel atkinsonCarlos santana

Atlantic City s jazz clubs of the 1940s and 1950s were an oasis from racism

Grammy-winning historian and author Jeff Gold noticed something when he received more than 200 exclusive images from a newly discovered photo archive of American jazz clubs from the 1940s and 1950s, including Atlantic Cityâs Club Harlem, 500 Club and Paradise CafÃ©. The photos, which showed the fans as much as or more than the famous musicians, illustrated that the jazz clubs had more integration between whites and Blacks than the country as a whole at the time. These clubs were integrated before Jackie Robinson broke the baseball color line when he started for the Brooklyn Dodgers on April 15, 1947, and before the 1954 Brown v. Board of Education U.S Supreme Court decision that ruled racial segregation in public schools was unconstitutional.

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