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David Guetta a vendu l intégralité de ses morceaux à Warner Music, un deal évalué à 100 millions de dollars
20minutes.fr - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from 20minutes.fr Daily Mail and Mail on Sunday newspapers.
Звезда «Игры престолов» снимется в сериале HBO «Лестница»
regnum.ru - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from regnum.ru Daily Mail and Mail on Sunday newspapers.
힙합엘이 - UNHYPED: 욘욘(YonYon)
hiphople.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from hiphople.com Daily Mail and Mail on Sunday newspapers.
Jean-Christophe Reymond ⢠Producer, Kazak Productions The only way forward is to be original
Titane - his projects and the current state of the market
(© Carole Bethuel)
Jean-Christophe Reymond is currently overseeing work (in league with his associate
Amaury Ovise) on
Titane, not to mention films coming courtesy of
Clément Cogitore,
Cineuropa: How did you become a producer?
Jean-Christophe Reymond: It was when I was 20 years old that I first realised it was an option to work within this sector, rubbing shoulders with filmmakers and helping to create their works. I thought it would be an amazing job to do. I was at business school at the time and I applied to La Fémis, to learn about production. Until then, Iâd merely been a viewer of films, mostly on TV at that, and my expertise was mostly limited to Spielberg and independent 90s films: Abel Ferrara, Claire Denis and Larry Clake rather than Truffaut, Dreyer or Bergman. I learned a lot about product
Cineuropa: How did you become a producer?
Jean-Christophe Reymond: It was when I was 20 years old that I first realised it was an option to work within this sector, rubbing shoulders with filmmakers and helping to create their works. I thought it would be an amazing job to do. I was at business school at the time and I applied to La Fémis, to learn about production. Until then, Iâd merely been a viewer of films, mostly on TV at that, and my expertise was mostly limited to Spielberg and independent 90s films: Abel Ferrara, Claire Denis and Larry Clake rather than Truffaut, Dreyer or Bergman. I learned a lot about production direction at La Fémis. In fact, I still work with a number of the directors I graduated with, such as Nicolas Sihol and Teddy Lussi-Modeste. The next step was to learn what it really meant to be a producer, first via two years at Aurora Films and then by creating Kazak Productions. Since then, Amaury Ovise and I - who joined me as an associate producer