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New administrator unlikely to perform miracles unless KMC is empowered

New Karachi administrator unlikely to deliver unless KMC is empowered

REIMAGINING KARACHI S CLIFTON BEACH - Newspaper

“Karachi has the sea!” Checkmate. A city-brag is won. Clifton Beach has long been a source of pride for Karachiites. A truly awaami spot, it attracts scores of people on August 14, on Eid, on the weekends and every time it rains. This beach is not just an edge of land and sea, it is the middle ground, where people across the megacity’s tense socio-economic and physical boundaries and bridges meet. There’s a shared memory that you will find in the old photo albums or camera rolls of everyone who has lived in Karachi: a still at Clifton Beach. The landmark is a fixture in paintings, dramas, poems, songs, postcards and family stories. From the imagery of lovers longing in Junaid Jamshed’s Na Tu Aayegi, to Christopher Lee’s solitary stroll in and as Jinnah, the seafront with its waves, colours and majesty is a visual of familiarity that connects urban dwellers.

Pakistan Pavilion at the 2021 Venice Biennale Discovers New Architectural Typologies Inspired by Weddings

Copy Titled Mapping Festivities , the Pakistan Pavilion at the 17th International Architecture Exhibition – La Biennale di Venezia, explores the national wedding hall as an architectural typology of post-colonial Pakistan. Curated by Sara M. Anwar, the pavilion will be on display on the second floor of the Palazzo Mora from May 22nd until November 21st. The Shaadi Hall is a traditional Pakistani typology that serves the wedding ‘performance’ which first appeared in the early 1980s to address the needs of the fast-growing population of the city of Karachi. Residential villas were transformed into wedding spaces through architectural interventions such as billboard-inspired entrance façades, which created a perforated layer between the space of the city and the newly-implemented space.

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