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Take Five: Dave McMurray Lauds the Dead, Jon Irabagon Toasts Charlie Parker, and Jeff Lorber Hails Chick Corea

Take Five: Dave McMurray Lauds the Dead, Jon Irabagon Toasts Charlie Parker, and Jeff Lorber Hails Chick Corea
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With Zero Grasses, Jen Shyu Forges Grief into Revelation

Roulette Intermedium Jen Shyu performing here piece Zero Grasses: Ritual for the Losses at Roulette in April 2021 More and more I ve wanted to tell my story, as who I am, the singer, composer and multi-instrumentalist Jen Shyu says in this episode of The Checkout. And also really thinking about others who might look like me, or feel, perhaps, othered or marginalized. That impulse, extending both inward and outward, informed Shyu s audacious and deeply personal new album, Zero Grasses: Ritual For the Losses, released this spring on Pi Recordings. A meditation on mortality and identity, it bears a dedication to her father, Tsu Pin Shyu, who died unexpectedly at his home in Houston in 2019.

The Day - A listen to the latest music by St Vincent, Tom Jones - News from southeastern Connecticut

Every St. Vincent album comes with a fresh concept and persona. On 2014′s St. Vincent, singer and shape-shifter Annie Clark was a near future cult leader. On 2017′s Masseduction, she was like a dominatrix at a mental institution, pealing off wicked guitar solos while done up in latex and high heels. With Daddy s Home, Clark time-travels back to 1970s New York. She s calling the new aesthetic Gena Rowlands in a Cassavetes film, evoked in a color palette of the world of Taxi Driver. Musically, that means touches of early 70s Stevie Wonder funk and swirling Pink Floyd prog, hard-hitting horns on the opening Pay Your Way In Pain, and gauzy interludes on several tracks that turn into drifting mood pieces. She continues to work with New Jersey producer-to-the-stars Jack Antonoff also a go-to guy for Taylor Swift, Lorde and Lana Del Rey, among others.

Ches Smith and We All Break: Path of Seven Colors review – a tour de force of jazz innovation

(Pyroclastic Records) A tour de force . Ches Smith (bottom centre) and We All Break. Photograph: Mimi Chakarova A tour de force . Ches Smith (bottom centre) and We All Break. Photograph: Mimi Chakarova Fri 21 May 2021 04.00 EDT Here’s the album that shows just why the nondescript term “drummer” doesn’t get near the chemistry of earworm hooks, sharp-end jazz innovation and global-musical openness of New York percussionist/composer Ches Smith. With saxophonist Tim Berne (a big compositional influence), John Zorn, violist Mat Maneri and many others, Smith has blossomed from skilful sideman to the collaborative original behind this exhilarating set – drawing on his devoted study of Haiti’s Vodou musical traditions with New York’s Haitian-American community, and in empathic hybrid lineups joining Haitian performers and jazz-rooted improvisers.

Ches Smith and We All Break: Path of Seven Colors review – a tour de force of jazz innovation

Ches Smith and We All Break: Path of Seven Colors review – a tour de force of jazz innovation
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