We always knew that Lara Jean was cheesy, but it turns out we hadnât seen the half of it. With the release of the third and final film in the To All The Boys cinematic universe, âAlways and Forever,â we follow a sentimental Lara Jean Covey (Lana Condor) and an equally sappy Peter Kavinsky (Noah Centineo) on the rollercoaster that is senior year of high school. While the first two movies struck a great balance between aesthetic and narrative, the finale certainly prioritizes visuals over substance. Nevertheless, the affectionate couple delivers plenty of adventure and their part-delicate, part-wild ride through the last year of high school makes for an incredible send-off to one of the most beloved teen romances of our generation.
In the aftermath of one of the most divisive US elections in recent memory, A24’s recent release “Boys State” provides a timely, thoughtful look at America’s political landscape. A political documentary directed by Amanda McBaine and Jesse Moss, the film follows the Texas Boys State, an annual one-week program where a thousand high school students are put to the task of creating their own government. With dynamic shot composition, intimate character development, and a well-paced story, the film serves as a stunning microcosm of the state of US politics.
The cinematography and editing in “Boys State” creates a comprehensive and immersive experience. The director of photography, Thorsten Thielow, provides a strong sense of both breadth and depth through sequences that feature a carefully patterned array of wide, medium, and tight shots. Each shot builds upon the previous one with increasing momentum, such that the film is able to convey the intensity of the Boys State prog