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Keith Rodway For the independent creative artist, there are no pensions, company cars or private health schemes; no gym membership, yoga classes or weekday creche. There is uncertainty and self-doubt; little or no support from the establishment, whose focus is on the mind-numbing mediocrity of cash cows like Lloyd-Webber and JK Rowling; bemusement and incredulity from civilians, those outside the artists’ sphere: you’ve chosen to do what for a living? Recently there has even been, in the devastating wake of the current pandemic, patronising advice to artists from government to ‘retrain’ – a sign, if any were needed, of the institutional philistinism at the heart of British public life. It’s no surprise that the words so many parents dread from their teenage offspring are ‘I want to be an artist’, a career path only marginally preferable to that of a professional assassin, cocaine baron or a Tory MP (or, to my mind, Labour, Lib Dem or indeed an MP of any political p

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