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July 07, 2021
Dream Express Co., Ltd.
From shows like Gundam and Super Sentai to game franchises such as Mario and Pokemon, it s fair to assume that we ve all interacted with one Japanese entertainment icon or the other at some point in our lives.
Most, if not all of these icons have well-entrenched fanbases with members from across the globe, consisting of dedicated gamers, theorists, and collectors who are always on the hunt for their next limited-edition piece.
Speaking of collections, Kamen Rider fans (or Masked Rider, if we re using the English translation) might want to add a couple of items to their stash by registering for the Rider Virtual Run 2021 .
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Empty displays outside a temporarily closed Toho Cinemas movie theater in the Shinjuku district of Tokyo on Friday | BLOOMBERG
KYODO May 30, 2021
Commercial facilities in Tokyo, Osaka and other prefectures are stepping up preparations to resume operations on Tuesday, as the government hopes to strike a balance between curbing coronavirus infections and reviving the battered economy after extending the COVID-19 state of emergency to June 20.
Press Release:
Los Angeles (April 5, 2020) – In celebration of the landmark series’ 50
th anniversary, Shout! Factory™, a multi-platform media company, and Toei Company, Ltd. today announced an exclusive deal to distribute the Kamen Rider series Zero-One and Ryuki in North America. The multi-year alliance provides Shout! Factory and its streaming service, Shout! Factory TV, with exclusive TVOD, EST, SVOD, AVOD, and FAST rights in the U.S. and Canada to both series, and physical home entertainment rights to Zero-One. The announcement was made today by Shout! Factory’s Senior Vice President of Digital Enterprises and Shout! Factory TV, Gene Pao; Melissa Boag, Shout! Factory’s Senior Vice President of Kids & Family Entertainment; Jordan Fields, Shout! Factory’s Vice President of Acquisitions and Naoki Shinozaki, Manager of International Sales for Toei Company, Ltd.
Hideaki Anno Will Next Tackle SHIN KAMEN RIDER
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Hideaki Anno has stealthily become the No. 1 re-interpreter of Japanese pop culture. After creating
Neon Genesis Evangelion in the mid ’90s, he spent most of the ensuing 25 years issuing redos of it in some way or another. In 2016, Anno tackled maybe Japan’s largest export by writing and co-directing
Shin Godzilla, a reimagining of the original 1954 film set firmly in the bureaucratic world of modern Japan. To follow that, he wrote 2021’s upcoming
Shin Ultraman, a similar retelling of that superhero tale. And now, as of this weekend, Anno will set his sights on