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Small Fish In A Big Stream: Local Artists On the Problem With Spotify

Small Fish In A Big Stream: Local Artists On the Problem With Spotify Statistics New Zealand thinks the average Kiwi household spends $29.40 per week on “alcoholic beverages, tobacco and illicit drugs”. Even at this ridiculously low-balled estimate, Spotify’s own figures show just 2.6% of their 7 million musicians made enough money in a year to pay for these essentials of daily living about $1,500. When rock ‘n roll can’t even buy you sex, drugs or booze, you know something’s seriously fucked up.  For Radio One chart-toppers Night Lunch, being on a streaming service was vital, as “the default way people listen to music.” However, despite being on all the major streaming platforms, they haven’t exactly been raking in big bucks: “for us, a small band, we haven t made back what it cost to be distributed to streaming platforms.” 

The History of the Dunedin Sound: A nostalgic look back on the birth of the Dunedin music scene

The History of the Dunedin Sound: A nostalgic look back on the birth of the Dunedin music scene The Dunedin Sound is one of New Zealand’s best known music scenes. The cold, dreary and quirky city that we call home has produced some of New Zealand s most notable songwriters and musicians. Much of their work still influences Dunedin musicians today, and is responsible for our unique gig culture we still partake in. Lesley Paris played a significant role in the Dunedin Sound. Currently the manager of Otago Access Radio, she was part of the band Look Blue Go Purple and the CEO of Flying Nun Records in the 1990s. Lesley recalls that the scene began in the late 1970s. 

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