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MusicalAmerica - MA s Free Guide to (Mostly) Free Streams, July 19-26

MusicalAmerica - MA s Free Guide to (Mostly) Free Streams, July 19-26
musicalamerica.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from musicalamerica.com Daily Mail and Mail on Sunday newspapers.

Collage presents - Indian Classical concert with Yousuf Ali Khan, Jonathan Mayer, Paul Clarvis

Collage presents - Indian Classical concert with Yousuf Ali Khan, Jonathan Mayer, Paul Clarvis   Yousuf Ali Khan, a highly valued and influential core member of the Grand Union Orchestra for 25 years. Born into a famous dynasty of Bengali musicians and a pupil of the renowned master Ali Akhbar Khan, Yousuf began playing tabla at the age of five, later studying in Kolkata. He is now an internationally-acclaimed performer and accompanist of choice for Bangladeshi and Indian musicians visiting the UK.   Jonathan has performed all over the world including, France, Germany, Russia, United Arab Emirates, Australia, America, Bangladesh, Sri Lanka, and two very successful tours in India (including a performance at The Dover Lane Music Conference) as well as a number of performances for the BBC in the UK.

Nicola Benedetti interview: It s hard when you feel you re doing your part, but others aren t doing theirs

Nicola Benedetti interview: It s hard when you feel you re doing your part, but others aren t doing theirs
msn.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from msn.com Daily Mail and Mail on Sunday newspapers.

New hope dawns in NZSO marathon weekend

Processing on diagonal paths through the orchestra, Tikao and Boynton literally and figuratively took centre stage, never more so than in their powerful duet in the third movement, Tupu-ā-nuku​/Tupu-ā-rangi​. If at times the orchestral music lacked the impact and coherence of Farr’s best work, it was nonetheless a striking collaboration. The programme described Matariki as “a time to dream for the future”, and the work’s combination of Māori and Pākehā musical traditions seemed an embodiment of how the coming decades might be. A standing ovation from the majority of those present suggested they hoped as much.

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