Processing on diagonal paths through the orchestra, Tikao and Boynton literally and figuratively took centre stage, never more so than in their powerful duet in the third movement, Tupu-ā-nuku/Tupu-ā-rangi. If at times the orchestral music lacked the impact and coherence of Farr’s best work, it was nonetheless a striking collaboration.
The programme described Matariki as “a time to dream for the future”, and the work’s combination of Māori and Pākehā musical traditions seemed an embodiment of how the coming decades might be. A standing ovation from the majority of those present suggested they hoped as much.